Among the group of men close to whom I presently found myself,
conversation had turned upon the pigeon-shooting at Monte. From their
remarks I gathered that an important event had been decided that day,
the Prix de--I forget what, but the prize appeared to be a much coveted
cup, with a considerable sum in added money. This had been won, it
seemed, by a Belgian Count, who had killed twenty-seven pigeons without
a miss.
"_Mais c'est epatant--vraiment epatant_!" declared an excitable little
Frenchman, as he pulled forward his chair. He went on to explain, with
great volubility and much gesticulation, the difficulties that some of
the shots had presented. This Frenchman, I gathered further, had backed
the Belgian Count every time from his first shot to the last, and had in
consequence won a lot of money.
Time was when trap-shooting appealed to me. I have shot pigeons at
Monte, at Ostend, and here in England at Hurlingham at the Gun Club,
also at Hendon, but it has always struck me as being a cold-blooded form
of amusement--its warmest supporters can hardly call it sport. Not that
there is more cruelty connected with pigeon-shooting than with
game-shooting, as some would have us believe. Indeed, I have always
contended that trap-shooting is less cruel than game-shooting, for
pigeon-shooters are one and all first-rate shots--if they were not they
would lose heavily and soon give up the game--with the result that the
greater proportion of the birds shot at are killed outright, a thing
that cannot be said of game, where one's tailor sometimes takes out a
licence.
But why is it, I wonder, that pigeon-shooters, considered collectively,
are such dreadful-looking men? I have often wondered, and I am by no
means the only man who has noticed this feature of pigeon-shooters.
Glancing carelessly at the crowd seated near me now, it struck me
forcibly that I had rarely set eyes on such a dissipated-looking set.
Men of middle age, most of them, obese, fat-faced, with puffy eyes and
sagging skin, they looked capable of any villainy, and might well have
been addicted to every known vice.
One man in particular arrested my attention. His age was difficult to
place. Lying, rather than sitting, back in a softly-padded leather
chair, with crossed legs, and with one arm hanging loosely over the arm
of the chair, he talked in a singularly ugly voice between his yellow
teeth, which clenched a long cigar stuck in the corner of his mouth.
"Another twist, and he would have cleared the boundary," he was saying
to his companion, a good-looking English lad of five-or-six-and-twenty.
"The second barrel cut him to pieces; it's extraordinary what a lot of
shot a blue-rock can carry away. How did you come out on the day?"
"Badly--shocking," answered the young man. "I backed the guns to start
with, and you know how badly the whole lot of you shot. Then I started
backing the bird, and you began to kill every time. My luck was out
to-day--dead out."
Public-domain text, read in full here on John Shaqi.
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