The Mystery and Romance of Alchemy and PharmacyThompson, C. J. S. (Charles John Samuel)
History
The Mystery and Romance of Alchemy and Pharmacy
Thompson, C. J. S. (Charles John Samuel)
Alchemy; Medicine, Magic, mystic, and spagiric; Pharmacy -- History
The count, who is supposed to have studied the art of medicine in the
East, has always a remedy ready for every ill; from his hashis, in
which he is a profound believer, to his mysterious stimulating elixir,
a liquid, we are told, of the colour of blood, which he always kept in
a phial composed of Bohemian glass.
A single drop of this vital fluid, if allowed to fall on the lips,
almost before it reaches them, restores the marble and inanimate form
to life. His pill-boxes were composed of emeralds and precious stones
of huge size, and their contents were composed of drugs whose effect
was almost beyond comprehension.
In the _Memoirs of a Physician_, Dumas describes an alchemist of the
last century, a time when the seekers after the philosopher’s stone
and the _elixir vitæ_ had almost died out. Joseph Balsamo, the hero
of the story, drawn from the life of the notorious Cagliostro, is a
necromancer of the modern kind, who works his marvels by what is now
known as hypnotism or mesmerism, a condition little understood in those
days. Althotas, an alchemist of renown, lives with Balsamo, and aids
him in his researches.
He is described as “an old man of over a hundred years, with grey
eyes, hooked nose, and trembling bony hands, and he sits half-buried
in his chair. Clad in a long silk robe, now nothing but a shapeless,
colourless ragged covering, he grumbled as he drew over his ears his
cap of velvet, from under which a few locks of silver hair peeped out.
“The dwelling of the alchemist,” says the novelist, “might be about
eight or nine feet high and sixteen in diameter; it was lighted from
the top like a well, and hermetically closed on the four sides.”
“Besides the phials, boxes, books, and papers strewed around, copper
pincers were seen, and pieces of charcoal which had been dipped in
various liquids; there was also a large vase half full of water, and
from the roof, hung by threads, were bundles of herbs, some apparently
gathered the night before, others a hundred years ago. A keen odour
prevailed in this laboratory, which in one less strange would have been
called a perfume.
“The old man was seated in his armchair on wheels, in the centre of a
marble table formed like a horseshoe, and heaped up with a whole world,
or rather whole chaos, of plants, phials, tools, books, instruments,
and papers covered with cabalistic characters.
“He was so absorbed that he never raised his head when Balsamo appeared.
“The light of an astral lamp, suspended from the culminating point of
the window in the roof, fell on his bald, shining head.
“He was turning to and fro in his fingers a small white bottle,
the transparency of which he was trying before his eye, as a good
housekeeper tries the eggs which she buys at market.
“Balsamo gazed on him at first in silence; then, after a moment’s
pause:—
“‘Well,’ said he, ‘have you any news?’
“‘Yes, yes; come hither, Acharat, you see me enchanted—transported
with joy! I have found—I have found——’
“‘What?’
Public-domain text, read in full here on John Shaqi.
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