The Mystery and Romance of Alchemy and PharmacyThompson, C. J. S. (Charles John Samuel)
History
The Mystery and Romance of Alchemy and Pharmacy
Thompson, C. J. S. (Charles John Samuel)
Alchemy; Medicine, Magic, mystic, and spagiric; Pharmacy -- History
“‘Pardieu! what I sought.’
“‘Gold?’
“‘Gold, indeed! I am surprised at you!’
“‘The diamond?’
“‘Gold? diamonds? The man raves! A fine discovery, forsooth, to be
rejoiced at!’
“‘Then what you have found is your elixir?’
“‘Yes, my son, yes!—the elixir of life! Life?—what do I say?—the
eternity of life!’
“‘Oh!’ said Balsamo in a dejected voice (for he looked on this pursuit
as mere insanity), ‘so it is that dream which occupies you still?’
“But Althotas, without listening, continued to gaze delightedly at his
phial.
“‘At last,’ said he, ‘the combination is complete: the elixir of
Aristæus, twenty grains; balm of mercury, fifteen grains; precipitate
of gold, fifteen grains; essence of the cedar of Lebanon, twenty-five
grains.’
“‘But it seems to me that, with the exception of the elixir of
Aristæus, this is precisely your last combination, master?’
“‘Yes, but I had not then discovered one more ingredient, without which
all the rest are as nothing.’
“‘And have you discovered it now?’
“‘Yes.’
“‘Can you procure it?’
“‘I should think so!’
“‘What is it?’
“‘We must add to the several ingredients already combined in this
phial, the three last drops of the life-blood of an infant.’
“‘Well, but where will you procure this infant?’ said Balsamo
horror-struck.
“‘I trust to you for that.’
“‘To me? You are mad, master!’
“‘Mad? And why?’ asked the old man, perfectly unmoved at this charge,
and licking with the utmost delight a drop of the fluid which had
escaped from the cork of the phial and was trickling down the side.
“‘Why, for that purpose you must kill the child.’
“‘Of course we must kill him; and the handsomer he is the better.’”
But in the end the old man falls a victim to his own infatuation, and
at length dies incontinently without discovering the long-looked-for
arcana.
CHAPTER IX.
READE.
An excellent picture of a physician of the fifteenth century is drawn
by that master in the art of fiction, Charles Reade, in his work _The
Cloister and the Hearth_, a story of much historic interest and beauty.
The hero, Gerard, wounded in an encounter with a bear, lies sick at
Düsseldorf, and is visited by a physician.
“It was an imposing figure that entered the sick room; an old gentleman
in a long sober gown trimmed with rich fur, cherry-coloured hose, and
pointed shoes, with a sword by his side in a morocco scabbard, a ruff
round his neck, not only starched severely, but treacherously stiffened
in furrows by rebatoes, or a little hidden framework of wood; and on
his head a four-cornered cap with a fur border; on his chin and bosom,
a majestic white beard. This was the full dress of a physician. A boy
followed at his heels with a basket, where phials, lint, and surgical
tools rather courted than shunned observation.”
Public-domain text, read in full here on John Shaqi.
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