The Mystery and Romance of Alchemy and PharmacyThompson, C. J. S. (Charles John Samuel)
History
The Mystery and Romance of Alchemy and Pharmacy
Thompson, C. J. S. (Charles John Samuel)
Alchemy; Medicine, Magic, mystic, and spagiric; Pharmacy -- History
A notable character in the time of Queen Elizabeth was Dr. Dee,
alchemist and astrologer. The career of this man, who was more a
charlatan than aught else, was one of extraordinary vicissitude. A
Welshman by birth, he was educated at Oxford, and then travelled
throughout Europe, claiming that he had discovered the elixir of life
and the philosopher’s stone. He was a man of overweening ambition,
and delighted to hear himself called “Most Excellent”. In company
with a man named Kelly, it is said he discovered a quantity of the
elixir in the ruins of Glastonbury Abbey; this they at once annexed
and carried off to Poland, accompanied by a nobleman of that country.
After travelling from one Court to another, where he is said to have
performed wonderful feats with his elixir, he returned to England and
settled at Mortlake, where Elizabeth often visited him to consult him
on astrology, and he even ventured to predict her death.[3] He was a
great favourite at Court in 1595, and the Queen made him Chancellor of
Paul’s and Warden of Manchester, but he died in great poverty.
[3] Lilly’s _Autobiography_, 1774.
[Illustration: AN ALCHEMIST.
From an engraving dated 1576.]
The illustration represents an alchemist of the sixteenth century in
an ante-room of his laboratory, engaged in fixing a portion of his
apparatus. On the table is his luting box and knife. Through one window
a view of the laboratory with stills of varied size is obtained, while
through the other the sun looks with becoming gravity on the operation.
THE SYMBOLS OF THE ALCHEMISTS.
As in modern science chemists write their formulæ and work out their
processes by means of symbols, so the alchemists used signs and
hieroglyphics to represent the then known elements, metals, and other
articles in common use. The so-called elements—fire, air, water,
earth—were represented by special symbols, here represented. The
metals were supposed to be influenced by the planets to a certain
degree, and were represented by their corresponding signs. Various
other articles also had their symbols, which served as a means of
shorthand at a period when caligraphy was little known or employed.
[Illustration: Symbols for: Fire. Air. Water. Earth. Lead. Tin. Iron.
Gold. Copper. Mercury. Silver. Antimony. Arsenic. Aqua Vitæ. Borax.
To Purify. Cinnabar. Caput Mortuum. An Oil. Saltpetre. A Magnet. Sal
Ammoniac. Sulphur. Tartar. A Covered Pot. To Sublime. To Precipitate.]
[Illustration: Symbols for: Spirit of Wine. Roman Symbol for Denarius.
To Digest. To Distil. Aqua Fortis. Aqua Regalis. A Brick. To Calcine.
Camphire. Ashes. Cerusse. Lime. Quicklime. Cinnabar. Wax. Hartshorn.
A Crucible. Crystal. A Gum. Oil. Steel Filings. Litharge.]
[Illustration: Symbols for: To Lute. Sublimated Mercury. Precipitated
Mercury. Nitre. Realgar. Sand. Soap. Sal Alkali. Sal Ammoniac. Salt.
Talc. Vinegar. Verdigris. Vitriol. Urine. Day. Night.]
CHAPTER VII.
THE PHILOSOPHER’S STONE.
Public-domain text, read in full here on John Shaqi.
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