The Mystery and Romance of Alchemy and Pharmacy — John Shaqi
The Mystery and Romance of Alchemy and PharmacyThompson, C. J. S. (Charles John Samuel)
History
The Mystery and Romance of Alchemy and Pharmacy
Thompson, C. J. S. (Charles John Samuel)
Alchemy; Medicine, Magic, mystic, and spagiric; Pharmacy -- History
It is somewhat curious that while the alchemists of the West were
always in doubt as to what constituted the true Philosopher’s Stone,
the Chinese seemingly had no doubt as to its identity. Cinnabar was
regarded by the early alchemists and philosophers of that nation as
the wonderful body which was supposed to have the mysterious power
of converting other metals into gold, and when used as a medicine
would prolong life for an indefinite period. Ko-hung, author of the
_Pau-p’uh-tsi p’ian_, a work of the fourth century, and undoubtedly
genuine, gives various mineral and vegetable productions possessing in
different degrees the properties of an elixir vitæ. In one paragraph of
this work he states: “When vegetable matter is burnt it is destroyed,
but when the Ian-sha (Cinnabar) is subjected to heat it produces
mercury. After passing through other changes it returns to its original
form. It differs widely, therefore, from vegetable substances, and
hence it has the power of making men live for ever and raising them to
the rank of the genii. He who knows the doctrine, is he not far above
common men, etc.?”
In _materia medica_ the knowledge of the Chinese was much in
advance of the nations of the West, and their great herbal, entitled
_Pun-Isaun-Kang-Mûh_, written by Le-she-chin in the middle of the
sixteenth century, shows the discernment possessed by these curious
people. This work consists of forty thin octavo volumes, the first
three of which contain woodcuts of many of the minerals, plants, and
animals referred to in the text. The woodcuts alone number 1100, and
the work itself is divided into fifty-two divisions. The antiquity
of the practice of medicine among the Chinese may be gathered from
the fact that there exists a work entitled _A Treatise from the Heart
on the Small-pox_, which was written during the dynasty of Icheon,
B.C. 1122. In this work the eruption is described, and some kind of
inoculation is also referred to as a remedy.
But it is to Greece that we have to look for the birth of medical art
in the West, its practice by the priests being of great antiquity.
The earliest record of a temple of medicine is of one erected in the
Peloponnesus in the year B.C. 1130, or about fifty years after the fall
of Troy. Other temples or centres of the healing art gradually sprang
up, and round each of those clustered a little school of students.
There were the temple of Health at Pergamus, the temple of Hygeia at
Cytea, and the temples of Æsculapius at Cos and Epidamus, where the
famous statue of Æsculapius stood. The father of ancient medicine,
Hippocrates, graduated as a student of Cos, and Galen is said to have
been at Epidamus.
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