The mystery of Easter island: the story of an expeditionRoutledge, Katherine
History
The mystery of Easter island: the story of an expedition
Routledge, Katherine
Easter Island; Oceania -- Description and travel; Voyages and travels
Scamping did not often occur, and when it did so it was in the concealed
portions. In one case the left hand was correctly modelled, but the
right was not even indicated beyond the wrist (fig. 63). The statue
shown in the frontispiece, which rejoices in the name of Piro-piro,
meaning “bad odour,”[24] stands at the foot of the slope, and appears to
remain as it was set up without further burial. It is a well-made
figure, probably one of the most recent, and the upper part of the back
is carefully moulded, but on digging it out it was found that the bottom
had not been finished, but left in the form of a rough excrescence of
stone; there was no ring, but a girdle had been carved on the protruding
portion, so that this was not intended to be removed. In another
instance a large head had fallen on a slope at such an angle that it was
impossible to locate the position of the body; curiosity led to
investigation, when it was found that the thing was a fraud, the
magnificent head being attached to a little dwarf trunk, which must have
been buried originally nearly to the neck to keep the top upright. These
instances of “jerry-building” confirm our impression that at any rate a
large number of the statues were intended to remain _in situ_.
Indications were found of two different methods of erection, and the
mode may have been determined by the nature of the ground. By the first
procedure the statue seems to have been placed on its face in the
desired spot, and a hole to have been dug beneath the base. The other
method was to undermine the base, with the statue lying face uppermost;
in several instances a number of large stones were found behind the back
of the figure, evidently having been used to wedge it while it was
dragged to the vertical. The upright position had sometimes been only
partially attained; one statue was still in a slanting attitude,
corresponding exactly to the slope of a hard clay wall behind it; the
interval between the two, varying from three yards to eighteen inches,
had been packed with sub-angular boulders which weighed about one
hundredweight, or as much as a man could lift (fig. 69).
Public-domain text, read in full here on John Shaqi.
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