The mystery of Easter island: the story of an expeditionRoutledge, Katherine
History
The mystery of Easter island: the story of an expedition
Routledge, Katherine
Easter Island; Oceania -- Description and travel; Voyages and travels
This, though a satisfactory explanation as far as it went, did not
account for the fact that the figures were facing the mountain, and here
for once tradition came to our help. These images had, it was said,
marked a boundary; the line of demarcation led between them, from the
fissure in the cliff above right down to the middle statue in the great
Tongariki terrace. To cross it was death; but as to what the boundary
connoted no information was forthcoming; there seemed no great tribal
division—the same clans ranged over the whole of the district. When,
however, the line is followed through the crevice into the crater (fig.
47), it is found to form on both sides the boundary where the
image-making ceased (no. 1 is a detached figure being brought down, not
in a quarry), and was probably the line of taboo which preserved the
rights of the image-makers. I was later given the cheering information
that a certain “devil” frequented the site of my house, which was just
on the image side of the boundary, who particularly resented the
presence of strangers, and was given to strangling them in the night.
The spirits, who inhabit the crater, are still so unpleasant, that my
Kanaka maid objected to taking clothes there to wash, even in daylight,
till assured that our party would be working within call.
_Isolated Statues._—The finished statues, as distinct from those in the
quarries, have so far been spoken of under two heads, those which once
adorned the ahu and those still standing on the slope of Raraku; there
is, however, another class to consider, which, for want of a better
name, will be termed the Isolated Statues. It has already been stated
that, as Raraku is approached, a number of figures lie by the side of
the modern track, others are round the base of the mountain, and yet
other isolated specimens are scattered about the island. All these
images are prostrate and lie on the surface of the ground, some on their
backs and some on their faces. These were the ones which, according to
legend, were being moved from the quarries to the ahu by the old lady
when she stopped the work in her wrath; or, according to another
account, quoted by a visitor before our day, “They walked, and some fell
by the way.”
Public-domain text, read in full here on John Shaqi.
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