And on the other, in a neat and beautiful penmanship: EVA DELORME. "Capital, old fellow!" exclaimed Lawton. "There is an air of harmony about the name, the handwriting, and the face of your charmer that is delightful. What a blessing she has no relatives." "But do you notice nothing strange about these names, Harry?" "Nothing, except that both are strangely bewitching. What more is there?" "Why, the similarity of the first names. Eva--Evelin; one is frequently a contraction of the other. I don't like this, Harry; it troubles me." "Now, Julian, you are positively absurd. Here are two women of natures manifestly as different as light and darkness. By a coincidence, or a distant family tie, or both, their hair happens to be the same color (not a very unusual one, either, by the way); a similarity in their names; also, perhaps, one or two other trifling resemblances, more or less marked. I will admit, myself, that there is something in the face of that siren that had she kept herself unspotted from the world might have suggested the other--that rare being there on the easel who told you she had no relatives or friends, and for which reason you are deeply troubled. It is probable she told you the exact truth. I have seen people who were almost counterparts of each other between whom there existed no known tie of kinship. There was once a man in New York who resembled Jay Gould so strikingly as to deceive their best friends. And besides, the girl may have relatives of whom she knows nothing. Most of us have cousins whom we have never seen, or even heard of. Should Guinevere prove to be the unknown cousin of Elaine, I cannot see that the purity and charm of Elaine is in any manner affected thereby." "Yes, Harry; that is so. Besides"-- "Besides, the resemblance is positively trivial. No one but an artist would think of it. I should never have suspected it without your assistance. In the one face there is written all that is good, and pure, and holy; in the other, all that is reckless, unscrupulous, soulless, and if not vicious might easily become so. It does not take a physiognomist to see that. I beg pardon for saying so, Julian, but it seems to me that there is no more similarity between the two than there is between the opposing elements of your own strange nature. The one all that is good, and the other, well--not all that is bad, but very different, you know, old boy. And it is probably these forces within you that answer to the charms of these two beings who are so manifestly opposites. The one inspiring only the nobleness of a blameless love; the other suggesting the abandonment of a reckless passion." III. The light in the studio was growing dim. Goetze had risen to his feet and was walking back and forth in front of the portraits. When he spoke he seemed to have forgotten them, except as the representation of an abstract principle; or, perhaps, he was thinking of his own nature, and what his friend had said of it.