The Mystery of Evelin Delorme: A Hypnotic StoryPaine, Albert Bigelow
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The Mystery of Evelin Delorme: A Hypnotic Story
Paine, Albert Bigelow
Fantasy fiction; Paranormal fiction
"Oh, no! And it is only by accident that I am having one now. I was
passing and saw your name; I knew it by reputation, and it occurred to
me all at once that I would sit for my picture. Perhaps I should have
waited and worn a different dress. It was only a passing impulse. It
never occurred to me before; I cannot tell why it did now."
The animation and the faint blush that had crept over her face while she
spoke were enchanting. The artist was delighted.
"Your dress could not have been better chosen, and the impulse was
surely an inspiration," he said, smiling, "and perhaps," he added, "you
may have a friend or--a--a relative who has had, or is having a
portrait, which suggested the idea."
As he paused he looked at her inquiringly. The look of weariness had
returned to her face.
"No; I have no relatives, and"--she blushed deeply and was silent.
"Forgive me," he said, earnestly; "I did not intend to be inquisitive."
She did not reply in words, but as she lifted her eyes there was a
tenderness there that awakened within him all the sympathy, the
nobleness and the affection of his purer and better nature. Their eyes
met, and in a single moment there was formed between them an invisible
bond which both felt and neither sought to conceal. No word was spoken.
The artist painted on in silence; but a new light had come into his
sitter's face, and a new source of inspiration into his own heart.
For a long time neither spoke. A dreamy hush seemed to creep in with the
sweet odors from the garden, and, with them, a summer restfulness and
peace. The yellow butterfly that had been hovering about them, flitting
this way and that, came closer and closer, and at last settled
fearlessly upon one of the gloved hands that lay folded in the sitter's
lap. She watched it for a moment, then looked up at the painter with a
smile.
"The insect has a true instinct," he said, gently; "it has no fear of
capture."
"No; I should only hurt it and destroy its beauty."
"Butterflies," said the artist, "are like beautiful thoughts. They hover
mistily about us, flitting away whenever we attempt to capture them; and
if at last we are successful we find only too often that their wings
have lost the delicacy of their bloom."
"Yes; I have felt that many times."
While she spoke the insect rose hastily in the air as if frightened,
and, circling about for a moment above them, darted out through the open
window.
"I have heard they are emblems of inconstancy, too," she said,
thoughtfully, as it disappeared.
A faint glow of crimson suffused for an instant the olive face before
her, but he forced a smile and did not reply.
The rest of the afternoon slipped away with but little interchange of
words between artist and sitter. When either spoke the words were few
and simple, but there was a tenderness in their voices that uttered more
than the spoken syllables.
Public-domain text, read in full here on John Shaqi.
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