"And thus all fower of us followed the same order daily until
everie one in his course had intreated according to appointment,
both by the precepts of doctrine, as also by the examples of the
lives of ancient Sages and famous men, of all things necessary for
the institution of manners and happie life of all estates and
callings in this French Monarchie. But because I knowe not whether,
in naming my companions by their proper names, supposing thereby to
honour them as indeede they deserve it, I should displease them
(which thing I would not so much as thinke) I have determined to do
as they that play on a Theater, who under borrowed maskes and
disguised apparell, do represent the true personages of those whom
they have undertaken to bring on the stage. I will therefore call
them by names very agreeable to their skill and nature: the first
ASER which signifieth _Felicity_: the second AMANA which is as much
to say as _Truth_: the third ARAM which noteth to us _Highness_;
and to agree with them as well in name as in education and
behaviour. I will name myself ACHITOB[10] which is all one with
_Brother of goodness_. Further more I will call and honour the
proceeding and finishing of our sundry treatises and discourses
with this goodlie and excellent title of Academie, which was the
ancient and renowned school amongst the Greek Philosophers, who
were the first that were esteemed, and that the place where Plato,
Xenophon, Poleman, Xenocrates, and many other excellent personages,
afterward called Academicks, did propound & discourse of all things
meet for the instruction and teaching of wisdome: wherein we
purposed to followe them to our power, as the sequele of our
discourses shall make good proofe."
And then the discourses commence.
"Love's Labour's Lost" was published in 1598, and was the first quarto
upon which the name of Shakespeare was printed. The title-page states
that it is "newly corrected and augmented," from which it may be
inferred that there was a previous edition, but no copy of such is
known. The commentators are in practical agreement that it was probably
the first play written by the dramatist.
There are differences of opinion as to the probable date when it was
written. Richard Grant White believes this to be not later than 1588,
Knight gives 1589, but all this is conjecture.
The play opens with a speech by Ferdinand:--
Public-domain text, read in full here on John Shaqi.
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