I have said that this thing of falling in love is a very complex
catastrophe. I might say that it is also a very uncertain one. Since we
all of us "rub clothes with fate along the street," who knows whether
Charlton would not, by this time, have been in love with Miss Marlay if
he had not seen Miss Minorkey in the stage? If he had not run against
her, while madly chasing a grasshopper? If he had not had a great
curiosity about a question in botany which he could only settle in her
company? And even yet, if he had not had collision with Isa on the
question of Divine Providence? And even after that collision I will not
be sure that the scale might not have been turned, had it not been that
while he was holding this conversation with Isa Marlay, his mother and
sister had come into the next room. For when he went out they showed
unmistakable pleasure in their faces, and Mrs. Plausaby even ventured to
ask: "Don't you like her, Albert?"
And when the mother tried to persuade him to forego his visit to the
hotel in the evening, he put this and that together. And when this and
that were put together, they combined to produce a soliloquy:
"Mother and Katy want to make a match for me. As if _they_ understood
_me_! They want me to marry an _average_ woman, of course. Pshaw! Isabel
Marlay only understands the 'culinary use' of things. My mother knows
that she has a 'knack,' and thinks it would be nice for me to have a wife
with a knack. But mother can't judge for _me_. I ought to have a wife
with ideas. And I don't doubt Plausaby has a hand in trying to marry off
his ward to somebody that won't make too much fuss about his accounts."
And so Charlton was put upon studying all the evening, to find points in
which Miss Minorkey's conversation was superior to Miss Marlay's. And
judged as he judged it--as a literary product--it was not difficult to
find an abundant advantage on her side.
CHAPTER IX.
LOVERS AND LOVERS.
Public-domain text, read in full here on John Shaqi.
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