The Mystery of the LocksHowe, E. W. (Edgar Watson)
General
The Mystery of the Locks
Howe, E. W. (Edgar Watson)
City and town life -- Fiction; Man-woman relationships -- Fiction; Mystery fiction; Nebraska -- Fiction
"In a year from now I will feel just as I do now. I will never change. I
will have only this to remember you by, and my acquaintance with you has
been the only event in my life worth remembering. _Please_ kiss me."
He hurriedly pressed her lips to his own, and looked around as though he
half expected to be struck dead for the sacrilege, but nothing serious
resulted, and the girl continued to talk without changing her position.
"I have never regretted the restraint which is expected of women until I
knew you, for why should I not express my preferences as well as you? In
my lonely, dreamy childhood, I had few acquaintances and fewer friends,
and you have supplied a want which I hardly knew existed before. Ever
since I can remember, I have longed so much to know the people in the
great world from which you came that I accepted you as a messenger from
them, and you interested and pleased me even more than I expected. My
life has always been lonely, though not unhappy, and the people I read
of in books I accepted as the people who lived outside of Davy's Bend,
in the cities by the lakes and seas, where there is culture as well as
plenty. I have been familiar with their songs, and played them on the
organ when I should have been practising; everything I have read of them
I have put to music, and played it over and over. Once I read of a great
man who died, and who was buried from a church filled with distinguished
mourners. The paper said that when the people were all in their seats,
the voice of a great singer broke the stillness, in a song of hope, and
I have imitated the voice on the organ, and imagined that I was playing
a requiem over distinguished dust; but in future I shall think only of
you when I play the funeral march. Since I have known you, I have
thought of little else, and I shall mourn your departure as though you
had always been a part of me. If I dared, I would ask you on my knees to
remain."
"I have heard you play the songs to which you refer," Dorris replied
musingly, "and I have thought that you played them with so much
expression that, could their authors have listened to the performance,
they would have discovered new beauties in them. I never knew a player
before who could render the words of a song as well as the music. You do
it, and with so much genius that I wonder that you have nothing but the
cold, passionless notes to guide you. One dark afternoon you played 'I
Dreamt I Dwelt in Marble Halls,' and a savage could have told what the
words were. The entire strength of the organ seemed to be united in the
mournful air, and the timid accompaniment was peopled with the other
characters in the play from which the song is taken. That represented
you; but you have had me before the organ, telling all I knew, a hundred
times. Although you have refused to hear my story, you seem to know it;
for you have told it on the organ as many times as I have thought of
it."
Public-domain text, read in full here on John Shaqi.
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