Detective and mystery stories; Reporters and reporting -- Fiction; Rouletabille, Joseph (Fictitious character) -- Fiction
“I had just learned that the concierges had been arrested. Daddy
Mathieu spoke of them as of dear friends—people for whom one is sorry.
That was a reckless conjunction of ideas, I said to myself. ‘Now,’ that
the concierges are arrested, ‘we shall have to eat red meat.’ No more
concierges, no more game! The hatred expressed by Daddy Mathieu for
Monsieur Stangerson’s forest-keeper—a hatred he pretended was shared
by the concierges—led me easily to think of poaching. Now as all the
evidence showed the concierges had not been in bed at the time of
the tragedy, why were they abroad that night? As participants in the
crime? I was not disposed to think so. I had already arrived at the
conclusion, by steps of which I will tell you later—that the assassin
had had no accomplice, and that the tragedy held a mystery between
Mademoiselle Stangerson and the murderer, a mystery with which the
concierges had nothing to do.
“With that theory in my mind, I searched for proof in their lodge,
which, as you know, I entered. I found there under their bed, some
springs and brass wire. ‘Ah!’ I thought, ‘these things explain why
they were out in the park at night!’ I was not surprised at the dogged
silence they maintained before the examining magistrate, even under
the accusation so grave as that of being accomplices in the crime.
Poaching would save them from the Assize Court, but it would lose them
their places; and, as they were perfectly sure of their innocence of
the crime, they hoped it would soon be established, and then their
poaching might go on as usual. They could always confess later. I,
however, hastened their confession by means of the document Monsieur
Stangerson signed. They gave all the necessary ‘proofs,’ were set at
liberty, and have now a lively gratitude for me. Why did I not get them
released sooner? Because I was not sure that nothing more than poaching
was against them. I wanted to study the ground. As the days went by,
my conviction became more and more certain. The day after the events
of the inexplicable gallery I had need of help I could rely on, so I
resolved to have them released at once.”
That was how Joseph Rouletabille explained himself. Once more I could
not but be astonished at the simplicity of the reasoning which had
brought him to the truth of the matter. Certainly this was no big
thing; but I think, myself, that the young man will, one of these days,
explain with the same simplicity, the fearful tragedy in The Yellow
Room as well as the phenomenon of the inexplicable gallery.
We reached the Donjon Inn and entered it.
This time we did not see the landlord, but were received with a
pleasant smile by the hostess. I have already described the room in
which we found ourselves, and I have given a glimpse of the charming
blonde woman with the gentle eyes who now immediately began to prepare
our breakfast.
“How’s Daddy Mathieu?” asked Rouletabille.
“Not much better—not much better; he is still confined to his bed.”
Public-domain text, read in full here on John Shaqi.
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