Detective and mystery stories; Reporters and reporting -- Fiction; Rouletabille, Joseph (Fictitious character) -- Fiction
“His rheumatism still sticks to him, then?”
“Yes. Last night I was again obliged to give him morphine—the only drug
that gives him any relief.”
She spoke in a soft voice. Everything about her expressed gentleness.
She was, indeed, a beautiful woman; somewhat with an air of indolence,
with great eyes seemingly black and blue—amorous eyes. Was she happy
with her crabbed, rheumatic husband? The scene at which we had once
been present did not lead us to believe that she was; yet there was
something in her bearing that was not suggestive of despair. She
disappeared into the kitchen to prepare our repast, leaving on the
table a bottle of excellent cider. Rouletabille filled our earthenware
mugs, loaded his pipe, and quietly explained to me his reason for
asking me to come to the Glandier with revolvers.
“Yes,” he said, contemplatively looking at the clouds of smoke he was
puffing out, “yes, my dear boy, I expect the assassin to-night.”
A brief silence followed, which I took care not to interrupt, and then
he went on:—
“Last night, just as I was going to bed, Monsieur Robert Darzac knocked
at my room. When he came in he confided to me that he was compelled to
go to Paris the next day, that is, this morning. The reason which made
this journey necessary was at once peremptory and mysterious; it was
not possible for him to explain its object to me. ‘I go, and yet,’ he
added, ‘I would give my life not to leave Mademoiselle Stangerson at
this moment.’ He did not try to hide that he believed her to be once
more in danger. ‘It will not greatly astonish me if something happens
to-morrow night,’ he avowed, ‘and yet I must be absent. I cannot be
back at the Glandier before the morning of the day after to-morrow.’
“I asked him to explain himself, and this is all he would tell me.
His anticipation of coming danger had come to him solely from the
coincidence that Mademoiselle Stangerson had been twice attacked, and
both times when he had been absent. On the night of the incident of the
inexplicable gallery he had been obliged to be away from the Glandier.
On the night of the tragedy in The Yellow Room he had also not been
able to be at the Glandier, though this was the first time he had
declared himself on the matter. Now a man so moved who should still go
away must be acting under compulsion—must be obeying a will stronger
than his own. That was how I reasoned, and I told him so. He replied
‘Perhaps.’—I asked him if Mademoiselle Stangerson was compelling him.
He protested that she was not. His determination to go to Paris had
been taken without any conference with Mademoiselle Stangerson.
Public-domain text, read in full here on John Shaqi.
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