Detective and mystery stories; Reporters and reporting -- Fiction; Rouletabille, Joseph (Fictitious character) -- Fiction
I looked at Rouletabille and inwardly wondered whether he was not
mocking me, or whether he had not suddenly gone out of his senses. But
I saw that he had never been less inclined to laugh, and the brightness
of his keenly intelligent eyes assured me that he retained all his
reason. Then, too, I was used to his broken way of talking, which only
left me puzzled as to his meaning, till, with a very few clear, rapidly
uttered words, he would make the drift of his ideas clear to me, and I
saw that what he had previously said, and which had appeared to me void
of meaning, was so thoroughly logical that I could not understand how
it was I had not understood him sooner.
Chapter IV
“In the Bosom of Wild Nature”
The Château du Glandier is one of the oldest châteaux in the Ile de
France, where so many building remains of the feudal period are still
standing. Built originally in the heart of the forest, in the reign of
Philip le Bel, it now could be seen a few hundred yards from the road
leading from the village of Sainte-Geneviève to Monthery. A mass of
inharmonious structures, it is dominated by a donjon. When the visitor
has mounted the crumbling steps of this ancient donjon, he reaches a
little plateau where, in the seventeenth century, Georges Philibert de
Sequigny, Lord of the Glandier, Maisons-Neuves and other places, built
the existing town in an abominably rococo style of architecture.
It was in this place, seemingly belonging entirely to the past, that
Professor Stangerson and his daughter installed themselves to lay the
foundations for the science of the future. Its solitude, in the depths
of woods, was what, more than all, had pleased them. They would have
none to witness their labours and intrude on their hopes, but the aged
stones and grand old oaks. The Glandier—ancient Glandierum—was so
called from the quantity of glands (acorns) which, in all times, had
been gathered in that neighbourhood. This land, of present mournful
interest, had fallen back, owing to the negligence or abandonment of
its owners, into the wild character of primitive nature. The buildings
alone, which were hidden there, had preserved traces of their strange
metamorphoses. Every age had left on them its imprint; a bit of
architecture with which was bound up the remembrance of some terrible
event, some bloody adventure. Such was the château in which science had
taken refuge—a place seemingly designed to be the theatre of mysteries,
terror, and death.
Public-domain text, read in full here on John Shaqi.
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