Detective and mystery stories; Reporters and reporting -- Fiction; Rouletabille, Joseph (Fictitious character) -- Fiction
“Don’t come any further,” Daddy Jacques begged, “you may make marks
with your boots, and nothing must be deranged; it’s an idea of the
magistrate’s—though he has nothing more to do here.”
And he pushed open the shutter. The pale daylight entered from without,
throwing a sinister light on the saffron-coloured walls. The floor—for
though the laboratory and the vestibule were tiled, The Yellow Room had
a flooring of wood—was covered with a single yellow mat which was large
enough to cover nearly the whole room, under the bed and under the
dressing-table—the only piece of furniture that remained upright. The
centre round table, the night-table and two chairs had been overturned.
These did not prevent a large stain of blood being visible on the mat,
made, as Daddy Jacques informed us, by the blood which had flowed from
the wound on Mademoiselle Stangerson’s forehead. Besides these stains,
drops of blood had fallen in all directions, in line with the visible
traces of the footsteps—large and black—of the murderer. Everything led
to the presumption that these drops of blood had fallen from the wound
of the man who had, for a moment, placed his red hand on the wall.
There were other traces of the same hand on the wall, but much less
distinct.
“See!—see this blood on the wall!” I could not help exclaiming. “The
man who pressed his hand so heavily upon it in the darkness must
certainly have thought that he was pushing at a door! That’s why
he pressed on it so hard, leaving on the yellow paper the terrible
evidence. I don’t think there are many hands in the world of that sort.
It is big and strong and the fingers are nearly all one as long as the
other! The thumb is wanting and we have only the mark of the palm; but
if we follow the trace of the hand,” I continued, “we see that, after
leaving its imprint on the wall, the _touch_ sought the door, found it,
and then felt for the lock—”
“No doubt,” interrupted Rouletabille, chuckling,—“only there is no
blood, either on the lock or on the bolt!”
“What does that prove?” I rejoined with a good sense of which I was
proud; “he might have opened the lock with his left hand, which would
have been quite natural, his right hand being wounded.”
“He didn’t open it at all!” Daddy Jacques again exclaimed. “We are not
fools; and there were four of us when we burst open the door!”
“What a queer hand!—Look what a queer hand it is!” I said.
“It is a very natural hand,” said Rouletabille, “of which the shape has
been deformed by its having slipped on the wall. The man dried his hand
on the wall. He must be a man about five feet eight in height.”
“How do you come at that?”
“By the height of the marks on the wall.”
My friend next occupied himself with the mark of the bullet in the
wall. It was a round hole.
“This ball was fired straight, not from above, and consequently, not
from below.”
Public-domain text, read in full here on John Shaqi.
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