The Mysteryes of Nature and Art: Conteined in foure severall Tretises, The first of water workes, The second of Fyer workes, The third of Drawing, Colouring, Painting, and Engraving, The fourth of divers Experiments, as wel serviceable as delightful: partly Collected, and partly of the Authors Peculiar Practice, and InventionBate, John
Science
The Mysteryes of Nature and Art: Conteined in foure severall Tretises, The first of water workes, The second of Fyer workes, The third of Drawing, Colouring, Painting, and Engraving, The fourth of divers Experiments, as wel serviceable as delightful: partly Collected, and partly of the Authors Peculiar Practice, and Invention
Bate, John
Art -- Early works to 1800; Fireworks -- Early works to 1800; Science -- Early works to 1800; Waterworks -- Early works to 1800
First of the first, the diversitie of colours and their preparation.
Colours are either simple or compounded, meerely tinctures of
vegetables, or substances of minerals, or both: the simple colours are
such as of themselves, being tempered with the water or oyle, doe give
a colour. The compounded are such, whose ingredients do exceed the
number of one. Vegetables are rootes, juces, berries, and such like
things as grow out of the earth. Minerals are such as are dig'd out of
the earth, as earth, and stones, &c. All which follow in order, as well
their preparations, as description. First note that every colour to be
ground, ought first to be ground with the gall of a neat: then let them
dry of themselves in a cold place, afterwards grinde them with gumme
water for your use.
Now I am come to the second thing observable (to wit) the mixture and
laying the colours on the grounds, which is thus: your colours prepared
for use, ought to be tempered according unto direction, still observing
a meane: and to that end, mixe them by little and little, till the
colour please you; first you must lay on the ground colour, and let it
dry throughly: then with a small pensill, pricke on the second colour,
else it will be apt to run abroad, nor can you worke it so well, to
make it seeme liuely, as you may by pricking it one, specially in small
peeces.
If you are to paint ouer maps, or printed pictures that haue writing in
them, they use to lay on the thinnest colours, and alwaies before you
lay any colours upon paper, wet the backe side of it with faire water,
wherein store of Allum hath been dissolued, and let it dry of it selfe:
after wet it againe, and let it dry: doe it the third time, for this
will strengthen the paper, that the colour shall not sinke through it,
and moreouer it will make the colour shew the brighter, and last, the
better.
_To make Gum water to temper your Colours with._
Take cleane water, and put into it of gum Arabicke a little, and let it
stand untill the gumme be dissolued. Now you must haue a care that it
be neither too thicke, by reason of the Gumme, nor yet too thin: for
with the one you cannot worke well, and the other will not binde the
colour fast.
_A Purple colour._
Take two pound of Heidleber, two ounces of Allum, halfe an ounce of
ashes of Copper, halfe a pound of water; put them into a Skillet, and
let them boyle till a third be consumed: when it is cold, straine it
into a cleane vessell, and let it stand a while, then straine it into
another, and then let it stand till it be thicke enough.
_A Crane Colour._
You must onely grinde blacke Lead with Gum water.
_Browne Colour._
Take good browne, and grinde it with Gumme water: his false colour is
made with two parts browne, and a third part white lead, sad it with
the same browne.
_Hayre Colour._
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