The Protocols are, in short, an amplified imitation of Goedsche's handiwork adapted to the circumstances of the Russian Revolution of 1905. Whether it was made direct from the melodramatic text of "Biarritz" is doubtful. Had Nilus worked with that document his credulous mysticism would assuredly not have resisted its Golden Calf theory, of which he is refreshingly innocent. On the other hand, he does adopt the blending of the Materialist and Social Democratic elements which are separate and conflicting in Goedsche, but which, with the exclusion of the Golden Calf, were the chief points of difference between the Czech forgery of 1901 and its Goedsche original. It therefore seems probable that it was with the Czech text that Nilus operated, and this is confirmed by his own avowal that the "manuscript" which first made him acquainted with the alleged Protocols was given to him in 1901, the year in which the Czech pamphlet was published.[41] In his main ideas Nilus followed this pamphlet very closely, but borrows, or, rather, purloins, additional matter, especially in regard to the Freemasons, from Gougenot des Mousseaux. He also annexes political and economic ideas on a large scale from modern Russian reactionary writers and from certain early Bolshevist programme-mongers. How closely his main thesis follows that of the Czech-Goedsche pamphlet is shown by the following parallel, in which both explain how the Jews hope to accomplish their fell purpose by simulating sympathy with the proletariat and leading it into destructive, and eventually suicidal, political revolution:-- THE CZECH GOEDSCHE. NILUS.