The Mythologies of Ancient Mexico and PeruSpence, Lewis
History
The Mythologies of Ancient Mexico and Peru
Spence, Lewis
Indian mythology -- Mexico; Indian mythology -- Peru
Of the sacrifices the most important was that signifying the annual
demise of Tezcatlipoca. The most handsome of the captives who chanced to
be in the hands of the Aztecs was chosen for the purpose. It was
necessary that he should be without spot or blemish, as it was intended
that he should represent Tezcatlipoca himself. He was taken in hand by a
body of tutors, who instructed him how to play his allotted part with
the dignity and grace to be expected from a divine being. Arrayed in
magnificent robes typical of his godhead, and surrounded by an
atmosphere of flowers and incense, he led the life of a voluptuary for
the space of nearly a year. On the occasion of his appearance in the
public streets he was received by the populace with all the homage due
to a god, but was strictly guarded, nevertheless, by eight pages, who
in reality were merely gaolers. Within a month's time of his immolation
four beautiful girls were given him as wives, and he was feasted and
fêted by the nobility as the incarnation of Tezcatlipoca.
On the day preceding the sacrifice the victim was placed on one of the
royal canoes, and accompanied by his four wives, was rowed to the other
side of the lake. That evening his wives bade him farewell, and he was
stripped of his gorgeous apparel. He was then conducted to a teocalli
some three miles from the city of Mexico. In scaling this he threw away
the wreaths of flowers with which he had been adorned, and broke in
pieces the musical instruments with which he had amused his hours of
captivity. Crowds thronged from the city to behold the act of sacrifice.
On reaching the summit of the teocalli the victim was met by six
priests, five of whom led him to the sacrificial stone, a great block of
jasper with a convex surface. On this he was placed by the five priests,
who secured his head, arms, and legs, whilst the officiating priest,
robed in a blood-red mantle, dexterously opened his breast with a sharp
flint knife. He then inserted his hand into the gaping wound, and
tearing out the still palpitating heart, held it aloft towards the sun.
Then he cast the bleeding offering into a vessel containing burning
copal, which lay at the feet of the image of Tezcatlipoca. A species of
sermon was then delivered by one of the priests to the people in which
he drew a moral from the fate of the victim illustrative of the
inevitable conclusion of all human pleasure by the hand of death.
Public-domain text, read in full here on John Shaqi.
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