The Mythology of the British Islands: An Introduction to Celtic Myth, Legend, Poetry, and Romance — John Shaqi
The Mythology of the British Islands: An Introduction to Celtic Myth, Legend, Poetry, and RomanceSquire, Charles
General
The Mythology of the British Islands: An Introduction to Celtic Myth, Legend, Poetry, and Romance
Squire, Charles
Celts -- Folklore; Mythology, Celtic
This may be proved both directly and inferentially.[5] In some
instances—as in that of an elegy upon Saint Columba in the Book of the
Dun Cow—the dates of authorship are actually given. In others, we may
depend upon evidence which, if not quite so absolute, is nearly as
convincing. Even where the writer does not state that he is copying from
older manuscripts, it is obvious that this must have been the case, from
the glosses in his version. The scribes of the earlier Gaelic
manuscripts very often found, in the documents from which they
themselves were copying, words so archaic as to be unintelligible to the
readers of their own period. To render them comprehensible, they were
obliged to insert marginal notes which explained these obsolete words by
reference to other manuscripts more ancient still. Often the mediæval
copyists have ignorantly moved these notes from the margin into the
text, where they remain, like philological fossils, to give evidence of
previous forms of life. The documents from which they were taken have
perished, leaving the mediæval copies as their sole record. In the Welsh
Mabinogion the same process is apparent. Peculiarities in the existing
manuscripts show plainly enough that they must have been copied from
some more archaic text. Besides this, they are, as they at present
stand, obviously made up of earlier tales pieced together. Almost as
clearly as the Gaelic manuscripts, the Welsh point us back to older and
more primitive forms.
The ancient legends of the Gael and the Briton are thus shown to have
been no mere inventions of scholarly monks in the Middle Ages. We have
now to trace, if possible, the date, not necessarily of their first
appearance on men’s lips, but of their first redaction into writing in
approximately the form in which we have them now.
Public-domain text, read in full here on John Shaqi.
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