The Mythology of the British Islands: An Introduction to Celtic Myth, Legend, Poetry, and RomanceSquire, Charles
General
The Mythology of the British Islands: An Introduction to Celtic Myth, Legend, Poetry, and Romance
Squire, Charles
Celts -- Folklore; Mythology, Celtic
It is not Melwas, however, that in the best-known versions of the story
contends with Arthur for the love of Gwynhwyvar. The most widespread
early tradition makes Arthur’s rival his nephew Medrawt. Here Professor
Rhys traces a striking parallel between the British legend of Arthur,
Gwynhwyvar, and Medrawt, and the Gaelic story of Airem, Etain, and
Mider.[431] The two myths are practically counterparts; for the names of
all the three pairs agree in their essential meaning. “Airem”, like
“Arthur”, signifies the “Ploughman”, the divine institutor of
agriculture; “Etain”, the “Shining One”, is a fit parallel to
“Gwynhwyvar”, the “White Apparition”; while “Mider” and “Medrawt” both
come from the same root, a word meaning “to hit”, either literally, or
else metaphorically, with the mind, in the sense of coming to a
decision. To attempt to explain this myth is to raise the vexed question
of the meaning of mythology. Is it day and dark that strive for dawn, or
summer and winter for the lovely spring, or does it shadow forth the
rescue of the grain that makes man’s life from the devouring underworld
by the farmer’s wit? When this can be finally resolved, a multitude of
Celtic myths will be explained. Everywhere arise the same combatants for
the stolen bride; one has the attributes of light, the other is a
champion of darkness.
Even in Sir Thomas Malory’s version of the Arthurian story, taken by him
from French romances far removed from the original tradition, we find
the myth subsisting. Medrawt’s original place as the lover of Arthur’s
queen had been taken in the romances by Sir Launcelot, who, if he was
not some now undiscoverable Celtic god,[432] must have been an invention
of the Norman adapters. But the story which makes Medrawt Arthur’s rival
has been preserved in the account of how Sir Mordred would have wedded
Guinevere by force, as part of the rebellion which he made against his
king and uncle.[433] This strife was Celtic myth long before it became
part of the pseudo-history of early Britain. The triads[434] tell us how
Arthur and Medrawt raided each other’s courts during the owner’s
absence. Medrawt went to Kelli Wic, in Cornwall, ate and drank
everything he could find there, and insulted Queen Gwynhwyvar, in
revenge for which Arthur went to Medrawt’s court and killed man and
beast. Their struggle only ended with the Battle of Camlan; and that
mythical combat, which chroniclers have striven to make historical, is
full of legendary detail. Tradition tells how Arthur and his antagonist
shared their forces three times during the fight, which caused it to be
known as one of the “Three Frivolous Battles of Britain”, the idea of
doing so being one of “Britain’s Three Criminal Resolutions”. Four alone
survived the fray: one, because he was so ugly that all shrank from him,
believing him to be a devil; another, whom no one touched because he was
so beautiful that they took him for an angel; a third, whose great
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account