Sometimes some particular species seems to have been chosen as most befitting these dignified attributes. No citizen of the United States will be apt to assert that their instinct led the indigenes of our territory astray when they chose with nigh unanimous consent the great American eagle as that fowl beyond all others proper to typify the supreme control and the most admirable qualities. Its feathers composed the war flag of the Creeks, and its images carved in wood or its stuffed skin surmounted their council lodges (Bartram); none but an approved warrior dare wear it among the Cherokees (Timberlake); and the Dakotas allowed such an honor only to him who had first touched the corpse of the common foe (De Smet). The Natchez and Akanzas seem to have paid it even religious honors, and to have installed it in their most sacred shrines (Sieur de Tonty, Du Pratz); and very clearly it was not so much for ornament as for a mark of dignity and a recognized sign of worth that its plumes were so highly prized. The natives of Zuñi, in New Mexico, employed four of its feathers to represent the four winds in their invocations for rain (Whipple), and probably it was the eagle which a tribe in Upper California (the Acagchemem) worshipped under the name Panes. Father Geronimo Boscana describes it as a species of vulture, and relates that one of them was immolated yearly, with solemn ceremony, in the temple of each village. Not a drop of blood was spilled, and the body burned. Yet with an amount of faith that staggered even the Romanist, the natives maintained and believed that it was the same individual bird they sacrificed each year; more than this, that the same bird was slain by each of the villages![105-1] The owl was regarded by Aztecs, Quichés, Mayas, Peruvians, Araucanians, and Algonkins as sacred to the lord of the dead. "The Owl" was one of the names of the Mexican Pluto, whose realm was in the north,[106-1] and the wind from that quarter was supposed by the Chipeways to be made by the owl as the south by the butterfly.[106-2] As the bird of night, it was the fit emissary of him who rules the darkness of the grave. Something in the looks of the creature as it sapiently stares and blinks in the light, or perhaps that it works while others sleep, got for it the character of wisdom. So the Creek priests carried with them as the badge of their learned profession the stuffed skin of one of these birds, thus modestly hinting their erudite turn of mind,[106-3] and the culture hero of the Monquis of California was represented, like Pallas Athene, having one as his inseparable companion (Venegas).