What a magnificent clientele he had, this Jenkins! Nothing but princely
mansions, heated staircases, laden with flowers at every landing,
upholstered and silky alcoves, where disease was transformed into
something discreet, elegant, where nothing suggested that brutal hand
which throws on a bed of pain those who only cease to work in order to
die. They were not in any true speech, sick people, these clients of
the Irish doctor. They would have been refused admission to a hospital.
Their organs not possessing even strength to give them a shock, the seat
of their malady was to be discovered nowhere, and the doctor, as he bent
over them, might have sought in vain the throb of any suffering in those
bodies which the inertia, the silence of death already inhabited. They
were worn-out, debilitated people, anaemics, exhausted by an absurd
life, but who found it so good still that they fought to have it
prolonged. And the Jenkins pills became famous precisely by reason of
that lash of the whip which they gave to jaded existences.
“Doctor, I beseech you, let me be fit to go to the ball this evening!”
the young woman would say, prostrate on her lounge, and whose voice was
reduced to a breath.
“You shall go, my dear child.”
And she went; and never had she looked more beautiful.
“Doctor, at all costs, though it should kill me, to-morrow morning I
must be at the Cabinet Council.”
He was there, and carried away from it in a triumph of eloquence and of
ambitious diplomacy.
Afterward--oh, afterward, if you please! But no matter! To their
last day Jenkins’s clients went about, showed themselves, cheated the
devouring egotism of the crowd. They died on their feet, as became men
and women of the world.
After a thousand peregrinations in the Chaussee d’Antin and the
Champs-Elysees, after having visited every millionaire or titled
personage in the Faubourg Saint Honore, the fashionable doctor arrived
at the corner of the Cours-la-Reine and the Rue Francois I., before a
house with a rounded front, which occupied the angle on the quay, and
entered an apartment on the ground floor which resembled in nowise those
through which he had been passing since morning. From the threshold,
tapestries covering the wall, windows of old stained glass with strips
of lead cutting across a discrete and composite light, a gigantic saint
in carved wood which fronted a Japanese monster with protruding eyes
and a back covered with delicate scales like tiles, indicated the
imaginative and curious taste of an artist. The little page who answered
the door held in leash an Arab greyhound larger than himself.
“Mme. Constance is at mass,” he said, “and Mademoiselle is in the studio
quite alone. We have been at work since six o’clock this morning,” added
the child with a rueful yawn which the dog caught on the wing, making
him open wide his pink mouth with its sharp teeth.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account