The vehicle turned about with difficulty, dragging itself regretfully
from the superb spectacle which Paris had been awaiting for four days;
it remounted the avenues, took the Rue Montaigne, and, with its slow
and surly little trot, came out at the Madeleine by the Boulevard
Malesherbes. Here the crowd was greater, more compact.
In the misty rain, the illuminated stained-glass windows of the church,
the dull echo of the funeral chants beneath the lavishly distributed
black hangings under which the very outline of the Greek temple was
lost, filled the whole square with a sense of the office in course of
celebration, while the greater part of the immense procession was still
squeezed up in the Rue Royale, and as far even as the bridges a long
black line connecting the dead man with that gate of the Legislative
Assembly through which he had so often passed. Beyond the Madeleine
the highway of the boulevard stretched away empty, and looking bigger
between two lines of soldiers with arms reversed, confining the curious
to the pavements black with people, all the shops closed, and the
balconies, in spite of the rain, overflowing with human beings all
leaning forward in the direction of the church, as if to see a mid-Lent
festival or the home-coming of victorious troops. Paris, hungry for the
spectacular, constructs it indifferently out of anything, civil war as
readily as the burial of a statesman.
It was necessary for the cab to retrace its course again and to make a
new circuit; and it is easy to imagine the bad temper of the driver and
his beasts, all three of them Parisian in soul and passions, at having
to deprive themselves of so fine a show. Then, as all the life of Paris
had been drawn into the great artery of the boulevard, there began
through the deserted and silent streets--a capricious and irregular
drive--the snail-like progress of a cab taken by the hour. First
touching the extreme points of the Faubourg Saint-Martin and the
Faubourg Saint-Denis, returning again towards the centre, and at the
conclusion of circuits and dodges finding always the same obstacle in
ambush, the same crowd, some fragment of the black defile perceived for
a moment at the branching of a street, unfolding itself in the rain to
the sound of muffled drums--a dull and heavy sound, like that of earth
falling on a coffin-lid.
Public-domain text, read in full here on John Shaqi.
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