What torture for Felicia! It was her weakness and her remorse crossing
Paris in this solemn pomp, this funeral train, this public mourning
reflected by the very clouds; and the proud girl revolted against this
affront done her by fate, and tried to escape from it to the back of
the carriage, where she remained exhausted with eyes closed, while old
Crenmitz, believing her nervousness to be grief, did her best to comfort
her, herself wept over their separation, and hiding also, left the
entire window of the cab to the big Algerian hound with his finely
modelled head scenting the wind, and his two paws resting in the
sash with an heraldic stiffness of pose. Finally, after a thousand
interminable windings, the cab suddenly came to a halt, jolted on again
with difficulty amid cries and abuse, then, tossed about, the luggage on
top threatening its equilibrium, it ended by coming to a full stop, held
prisoner, as it were, at anchor.
“_Bon Dieu!_ what a mass of people!” murmured the Crenmitz, terrified.
Felicia came out of her stupor.
“Where are we?”
Under a colourless, smoky sky, blotted out by a fine network of rain and
stretched like gauze over everything, there lay an immense space filled
by an ocean of humanity surging from all the streets that led to it,
and motionless around a lofty column of bronze, which dominated this sea
like the gigantic mast of a sunken vessel. Cavalry in squadrons,
with swords drawn, guns in batteries stood at intervals along an open
passage, awaiting him who was to come by, perhaps in order to try to
retake him, to carry him off by force from the formidable enemy who was
bearing him away. Alas! all the cavalry charges, all the guns could be
of no avail here. The prisoner was departing, firmly guarded, defended
by a triple wall of hardwood, metal, and velvet, impervious to
grape-shot; and it was not from those soldiers that he could hope for
his deliverance.
Public-domain text, read in full here on John Shaqi.
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