He said it in a tone so firm and calm that all the laughter ceased, and
the old woman, suddenly quieted, sustained by this solid hold, still
trembling a little with anger, left the palace between two respectful
rows. A dignified and rustic couple, the millions of the son gilding the
countrified air of the mother, like the rags of a saint enshrined in a
golden _chasse_--they disappeared in the bright sunlight outside, in the
splendour of their glittering carriage--a ferocious irony in their deep
distress, a striking symbol of the terrible misery of the rich.
They sat well back, for both feared to be seen, and hardly spoke at
first. But when the vehicle was well on its way, and he had behind
him the sad Calvary where his honour hung gibbeted, Jansoulet, utterly
overcome, laid his head on his mother’s shoulder, hid it in the old
green shawl, and there, with the burning tears flowing, all his great
body shaken by sobs, he returned to the cry of his childhood: “Mother.”
DRAMAS OF PARIS
Que l’heure est donc breve,
Qu’on passe en aimant!
C’est moins qu’un moment,
Un peu plus qu’un reve.
In the semi-obscurity of a great drawing-room filled with flowers, the
seats of the furniture covered with holland, the chandeliers draped with
muslin, the windows open, and the venetians lowered, Mme. Jenkins is
seated at the piano reading the new song of the fashionable musician;
some melodic phrases accompanying exquisite verse, a melancholy _Lied_,
unequally divided, which seems written for the tender gravities of her
voice and the disturbed state of her soul.
Le temps nous enleve
Notre enchantement
Public-domain text, read in full here on John Shaqi.
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