These are certainly very extraordinary, very incredible internal
arrangements for a banking house. It is, however, the mere truth that
I am telling, and Paris is full of financial institutions after the
pattern of ours. Oh, if ever I publish my memoirs! But to take up the
interrupted thread of my story.
When he saw us all collected in his private room, the manager said to us
with solemnity:
“Gentlemen and dear comrades, the time of trials is ended. The
Territorial Bank inaugurates a new phase.”
Upon this he commenced to speak to us of a superb _combinazione_--it is
his favourite word and he pronounces it in such an insinuating manner--a
_combinazione_ into which there was entering this famous Nabob, of whom
all the newspapers are talking. The Territorial Bank was therefore about
to find itself in a position which would enable it to acquit itself of
its obligations to its faithful servants, recognise acts of devotion,
rid itself of useless parasites. This for me, I imagine. And in
conclusion: “Prepare your statements. All accounts will be settled not
later than to-morrow.” Unhappily he has so often soothed us with lying
words, that the effect of his speech was lost. Formerly these
fine promises were always swallowed. At the announcement of a new
_combinazione_, there used to be dancing, weeping for joy in the
offices, and men would embrace each other like shipwrecked sailors
discovering a sail.
Each one would prepare his account for the morrow, as he had said. But
on the morrow, no manager. The day following, still nobody. He had left
town on a little journey.
At length, one day when all would be there, exasperated, putting out our
tongues, maddened by the water which he had brought to our mouths, the
governor would arrive, let himself drop into an easy chair, his head in
his hands, and before one could speak to him: “Kill me,” he would say,
“kill me. I am a wretched impostor. The _combinazione_ has failed. It
has failed, _Pechero!_ the _combinazione_.” And he would cry, sob,
throw himself on his knees, pluck out his hair by handfuls, roll on the
carpet. He would call us by our Christian names, implore us to put an
end to his existence, speak of his wife and children whose ruin he had
consummated. And none of us would have the courage to protest in face of
a despair so formidable. What do I say? One always ended by sympathizing
with him. No, since theatres have existed, never has there been a
comedian of his ability. But to-day, that is all over, confidence is
gone. When he had left, every one shrugged his shoulders. I must admit,
however, that for a moment I had been shaken. That assurance about the
settling of my account, and then the name of the Nabob, that man so
rich----
“You actually believe it, you?” the cashier said to me. “You will be
always innocent, then, my poor Passajon. Don’t disturb yourself. It
will be the same with the Nabob as it was with Moessard’s Queen.” And he
returned to the manufacture of his shirt-fronts.
Public-domain text, read in full here on John Shaqi.
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