Paul de Gery was that martyr. Away yonder in his country home he had
always lived a very retired existence with an old, pious, and gloomy
aunt, up to the time when the law-student, destined in the first
instance to the career in which his father had left an excellent
reputation, had found himself introduced to a few judges’ drawing-rooms,
ancient, melancholy dwellings with faded pier-glasses, where he used to
go to make a fourth at whist with venerable shadows. Jenkins’s evening
party was therefore a _debut_ for this provincial, of whom his very
ignorance and his southern adaptability made immediately an observer.
From the place where he stood, he watched the curious defile of
Jenkins’s guests which had not yet come to an end at midnight; all the
clients of the fashionable physician; the fine flower of society;
a strong political and financial element, bankers, deputies, a few
artists, all the jaded people of Parisian “high life,” wan-faced, with
glittering eyes, saturated with arsenic like greedy mice, but with
appetite insatiable for poison and for life. The drawing-room being
thrown open, the vast antechamber of which the doors had been removed to
be seen, laden with flowers at the sides, the principal staircase of the
mansion, over which swept, now shaken out to their full extent, the
long trains, whose silky weight seemed to give a backward pull to the
undraped busts of the women in the course of that pretty ascending
movement which brought them into view, little by little, till the
complete flower of their splendour was reached. The couples as they
gained the top seemed to be making an entry on the stage of a theatre;
and that was twice true, since each person left on the last step the
contracted eyebrows, the lines that marked preoccupation, the wearied
air, his vexations, his sorrows, to display instead a contented face, a
gay smile over the reposeful harmony of the features. The men exchanged
honest shakes of the hand, exhibitions of fraternal good-feeling;
the women, preoccupied with themselves, as they stood making little
caracoling movements, with trembling graces, play of eyes and shoulders,
murmured, without meaning anything, a few words of greeting:
“Thank you--oh, thank you! How kind you are!”
Public-domain text, read in full here on John Shaqi.
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