At that moment, comfortably installed on a settee, his big hands in
yellow gloves crossed carelessly one over the other, he was talking with
a very handsome woman, whose original physiognomy--much vitality coupled
with severe features--stood out pale among the pretty faces about her,
just as her dress, all white, classic in its folds and following closely
the lines of her supple figure, contrasted with toilettes that were
richer, but among which none had that air of daring simplicity. From his
corner, de Gery admired the low and smooth forehead beneath its fringe
of downward combed hair, the well-opened eyes, deep blue in colour, an
abysmal blue, the mouth which ceased to smile only to relax its pure
curve into an expression that was weary and drooping. In sum, the rather
haughty mien of an exceptional being.
Somebody near him mentioned her name--Felicia Ruys. At once he
understood the rare attraction of this young girl, the continuer of
her father’s genius, whose budding celebrity had penetrated even to the
remote country district where he had lived, with the aureole of reputed
beauty. While he stood gazing at her, admiring her least gestures, a
little perplexed by the enigma of her handsome countenance, he heard
whispers behind him.
“But see how pleasant she is with the Nabob! If the duke were to come
in!”
“The Duc de Mora is coming?”
“Certainly. It is for him that the party is given; to bring about a
meeting between him and Jansoulet.”
“And you think that the duke and Mlle. Ruys----”
“Where have you come from? It is an intrigue known to all Paris. The
affair dates from the last exhibition, for which she did a bust of him.”
“And the duchess?”
“Bah! it is not her first experience of that sort. Ah! there is Mme.
Jenkins going to sing.”
Public-domain text, read in full here on John Shaqi.
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