Produced by Juliet Sutherland and the Online Distributed Proofreading Team at https://www.pgdp.net [Illustration: "'_Take away your flowers, my dear._'"] THE NABOB BY ALPHONSE DAUDET TRANSLATED BY GEORGE BURNHAM IVES WITH AN INTRODUCTION BY BRANDER MATTHEWS IN TWO VOLUMES VOL. I. BOSTON LITTLE, BROWN, AND COMPANY 1902 _Copyright, 1898_, By Little, Brown, and Company. _All rights reserved._ University Press: John Wilson and Son, Cambridge, U.S.A. PUBLISHER'S NOTE TO FRENCH EDITION We have been informed that at the time of the publication of _The Nabob_ in serial form, the government of Tunis was offended at the introduction therein of individuals whom the author dressed in names and costumes peculiar to that country. We are authorized by M. Alphonse Daudet to declare that those scenes in the book which relate to Tunis are entirely imaginary, and that he never intended to introduce any of the functionaries of that state. ALPHONSE DAUDET. Alphonse Daudet is one of the most richly gifted of modern French novelists and one of the most artistic; he is perhaps the most delightful; and he is certainly the most fortunate. In his own country earlier than any of his contemporaries he saw his stories attain to the very wide circulation that brings both celebrity and wealth. Beyond the borders of his own language he swiftly won a popularity both with the broad public and with the professed critics of literature, second only to that of Victor Hugo and still surpassing that of Balzac, who is only of late beginning to receive from us the attention he has so long deserved. Daudet has had the rare luck of pleasing partisans of almost every school; the realists have joyed in his work and so have the romanticists; his writings have found favor in the eyes of the frank impressionists and also at the hands of the severer custodians of academic standards. Mr. Henry James has declared that Daudet is "at the head of his profession" and has called him "an admirable genius." Mr. Robert Louis Stevenson thought Daudet "incomparably" the best of the present French novelists and asserted that "Kings in Exile" comes "very near to being a masterpiece." M. Jules Lemaitre tells us that Daudet "trails all hearts after him,--because he has charm, as indefinable in a work of art as in a woman's face." M. Ferdinand Brunetiere, who has scant relish for latter-day methods in literature, admits ungrudgingly that "there are certain corners of the great city and certain aspects of Parisian manners, there are some physiognomies that perhaps no one has been able to render so well as Daudet, with that infinitely subtle and patient art which succeeds in giving even to inanimate things the appearance of life." I.