Jenkins bowed and stepped forward into the enormous room, whose
windows, opening on a garden that extended to the Seine, commanded one
of the loveliest views in all Paris, the bridges, the Tuileries, the
Louvre, interlaced with trees as black as if they were drawn in India
ink on the wavering background of the mist. A broad, very low bed on a
platform a few steps above the floor, two or three small lacquer
screens with vague fanciful decorations in gold, denoting, as did the
double doors and the heavy woollen carpet, a dread of cold carried to
excess, chairs of various styles, long chairs and low chairs, placed at
random, all well-stuffed and of lazy or voluptuous shapes, composed the
furniture of that famous room, where the most momentous and the most
trivial questions were discussed with the same gravity of tone and
manner. There was a beautiful portrait of the duchess on the wall; and
on the mantel a bust of the duke, the work of Felicia Ruys, which had
received the honor of a medal of the first class at the recent Salon.
"Well, Jenkins, how goes it this morning?" said His Excellency, walking
to meet the doctor, while the costumer was collecting his fashion
plates, which were strewn about over all the chairs.
"And you, my dear duke? I fancied that you were a little pale last
night at the Varietes."
"Nonsense! I was never so well. Your pills have a most amazing effect
on me. I feel so lively, so vigorous. When I think how completely
foundered I was six months ago!"
Jenkins, without speaking, had put his great head against the
minister's jacket, at the spot where the heart beats in the majority of
mankind. He listened a moment while His Excellency continued to talk in
the indolent, listless tone which was one of his chief claims to
distinction.
"Whom were you with last night, doctor? That great bronzed Tartar who
laughed so loud at the front of your box?"
"That was the Nabob, Monsieur le Duc. The famous Jansoulet, who is so
much talked about just now."
"I might have suspected it. The whole audience was looking at him. The
actresses played at him all the time. Do you know him? What sort of a
man is he?"
"I know him. That is, I am treating him. Thanks, my dear duke, that's
all. Everything is all right there. When he arrived in Paris a month
ago, the change of climate disturbed him a little. He sent for me, and
since then has taken a great fancy to me. All that I know of him is
that he has a colossal fortune, made in Tunis, in the Bey's service,
that he has a loyal heart, a generous mind in which ideas of
humanity--"
"At Tunis?" the duke interposed, being naturally far from sentimental
and humanitarian. "Then, why the name of Nabob?"
Public-domain text, read in full here on John Shaqi.
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