What a magnificent practice this Jenkins had, to be sure! Nothing but
princely mansions, halls comfortably heated and filled with flowers on
every floor, downy, silk-lined alcoves, wherein disease became quiet
and refined, where nothing suggested the brutal hand that tosses upon a
bed of misery those who cease to work only to die. To tell the truth,
these clients of Dr. Jenkins were not patients at all. They would not
have been received at a hospital. As their organs had not even strength
enough to feel a shock, it was impossible to find the seat of their
trouble, and the physician leaning over them would have listened in
vain for the palpitation of suffering in those bodies which were
already inhabited by the inertia and silence of death. They were
weakened, exhausted, anaemic, consumed by their absurd mode of life, and
yet so attached to it that they strove desperately to prolong it. And
the Jenkins Pearls became famous just because of the lashing they
administered to jaded constitutions.
"Doctor, I implore you, let me go to the ball this evening!" a young
woman would say, as she lay, utterly prostrated, in her invalid's
chair, her voice hardly more than a breath.
"You shall go, my dear child."
And go she would, and look lovelier than ever before.
"Doctor, at any price, even if it's the death of me, I must be at the
council of ministers to-morrow morning."
He would be there and would win new triumphs by his eloquence and
ambitious diplomacy. And afterward--oh! afterward, indeed. But no
matter! to their last day Jenkins' patients went about, showed
themselves, deceived the consuming selfishness of the multitude. They
died on their feet, like men and women of the world.
After innumerable turns on the Chaussee d'Antin and Champs-Elysees,
after visiting all the millionaires and titled personages in Faubourg
Saint-Honore, the doctor drew up at the corner of Cours-la-Reine and
Rue Francois I., before a house with a swell front which stood at
the corner of the quay, and entered an apartment on the ground floor
which in no wise resembled those he had visited since the morning.
Immediately upon entering, the tapestries that covered the walls, the
old stained glass windows intersecting with their lead sashes the soft,
many-hued light, a gigantic saint in carved wood facing a Japanese
monster with bulging eyes and back covered with highly polished scales,
indicated the imaginative and eccentric taste of an artist. The small
servant who opened the door held in leash an Arabian greyhound larger
than himself.
"Madame Constance is at mass," he said, "and mademoiselle is in the
studio, alone. We have been working since six o'clock this morning,"
the child added, with a terrible yawn, which the dog caught on the
wing, and which caused him to open wide his red mouth with its rows of
sharp teeth.
Public-domain text, read in full here on John Shaqi.
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