“And why should these dreams be denied me,” I exclaimed, mentally,
“since the prologue of the vision has already been vouchsafed me? My
foolish fears have hitherto rendered me unworthy and incapable of
believing in Swedenborgian revelations, such as superior minds credit
and which I have mistakenly ridiculed. But now I will gladly renounce
these old illusions, and such sentiments will surely be more healthful
and agreeable to the soul of a poet than the cold denial of our age. If
I pass for a madman, should I even become one, what matters it; I will
have lived in an ideal sphere, and will, perhaps, be happier than all
the sages of the earth combined.”
Thus I communed with myself, resting my head on my hands. It was about
two o’clock in the morning and the most profound silence reigned
throughout the castle and the surrounding country, when a sound of
delicate and exquisite music, which seemed to proceed from the rotunda
snatched me from my revery. I raised my head and pushed back the
candlestick, so that I could see to whom I was indebted for this
serenade, but the four candles which lighted my writing-table
thoroughly, were not sufficient for me to distinguish objects at the end
of the hall even, still less the rotunda beyond.
I proceeded at once towards this rotunda and being no longer dazzled by
another light, I could distinguish the upper portion of the beautiful
group in the fountain, fully illuminated by the moon, whose rays
penetrated the arched window of the cupola. The rest of the circular
hall was in shadow. In order to assure myself that I was as much alone
as I appeared to be, I drew back the bolt of the large glass door which
opened on the parterre, and saw in fact that no one was there. The music
had seemed to diminish and fade away in proportion to my approach, so
that I now could scarcely hear it. I passed into the other gallery, and
found it also deserted, but here the sounds which had so charmed me
could once more be heard distinctly, and this time they seemed to
proceed from the rear.
I paused without turning around, to listen to them; they were sweet and
plaintive and formed a melodious combination beyond my comprehension. It
was rather a succession of vague and mysterious chords, struck as if by
chance and executed by instruments that I could not divine, for their
tones resembled nothing that I had ever heard. The effect although
pleasing was exceedingly melancholy.
I retraced my steps and convinced myself that these voices, if voices
they could be called, issued decidedly from the shell of the tritons and
nymphs of the fountain, increasing and diminishing in intensity as the
water which now flowed in an irregular and intermittent manner,
increased or decreased in the basins.
Public-domain text, read in full here on John Shaqi.
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