The Napoleon of Notting HillChesterton, G. K. (Gilbert Keith)
Science
The Napoleon of Notting Hill
Chesterton, G. K. (Gilbert Keith)
Fantasy fiction; Notting Hill (London, England) -- Fiction; Political fiction
Two black dragons were walking backwards in front of him. Two black
dragons were looking at him with evil eyes. The dragons were walking
backwards it was true, but they kept their eyes fixed on him none the
less. The eyes which he saw were, in truth, only the two buttons at
the back of a frock-coat: perhaps some traditional memory of their
meaningless character gave this half-witted prominence to their gaze.
The slit between the tails was the nose-line of the monster: whenever
the tails flapped in the winter wind the dragons licked their lips. It
was only a momentary fancy, but the small clerk found it imbedded in
his soul ever afterwards. He never could again think of men in
frock-coats except as dragons walking backwards. He explained
afterwards, quite tactfully and nicely, to his two official friends,
that (while feeling an inexpressible regard for each of them) he could
not seriously regard the face of either of them as anything but a
kind of tail. It was, he admitted, a handsome tail--a tail elevated in
the air. But if, he said, any true friend of theirs wished to see
their faces, to look into the eyes of their soul, that friend must be
allowed to walk reverently round behind them, so as to see them from
the rear. There he would see the two black dragons with the blind
eyes.
But when first the two black dragons sprang out of the fog upon the
small clerk, they had merely the effect of all miracles--they changed
the universe. He discovered the fact that all romantics know--that
adventures happen on dull days, and not on sunny ones. When the chord
of monotony is stretched most tight, then it breaks with a sound like
song. He had scarcely noticed the weather before, but with the four
dead eyes glaring at him he looked round and realised the strange dead
day.
The morning was wintry and dim, not misty, but darkened with that
shadow of cloud or snow which steeps everything in a green or copper
twilight. The light there is on such a day seems not so much to come
from the clear heavens as to be a phosphorescence clinging to the
shapes themselves. The load of heaven and the clouds is like a load of
waters, and the men move like fishes, feeling that they are on the
floor of a sea. Everything in a London street completes the fantasy;
the carriages and cabs themselves resemble deep-sea creatures with
eyes of flame. He had been startled at first to meet two dragons. Now
he found he was among deep-sea dragons possessing the deep sea.
The two young men in front were like the small young man himself,
well-dressed. The lines of their frock-coats and silk hats had that
luxuriant severity which makes the modern fop, hideous as he is, a
favourite exercise of the modern draughtsman; that element which Mr.
Max Beerbohm has admirably expressed in speaking of "certain
congruities of dark cloth and the rigid perfection of linen."
Public-domain text, read in full here on John Shaqi.
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