The narrative of a journey undertaken in the years 1819, 1820 and 1821 through France, Italy, Savoy, Switzerland, parts of Germany bordering on the Rhine, Holland and the Netherlands : $b comprising incidents that occurred to the author, who has long suffered under a total deprivation of sight; with various points of information collected on his tourHolman, James
History
The narrative of a journey undertaken in the years 1819, 1820 and 1821 through France, Italy, Savoy, Switzerland, parts of Germany bordering on the Rhine, Holland and the Netherlands : $b comprising incidents that occurred to the author, who has long suffered under a total deprivation of sight; with various points of information collected on his tour
Holman, James
Europe -- Description and travel
“We did not, however, drive to the Trinita de’ Monti, till after the
exhibition of the girandola, or great fireworks, from the castle of St.
Angelo, which commences by a tremendous explosion, that represented the
raging eruption of a volcano. Red sheets of fire seemed to blaze upwards
into the glowing heavens, and then to pour down their liquid stream upon
the earth. This was followed by an incessant, and complicated display
of every varied device that imagination could figure,—one changing into
another, and the beauty of the first, effaced by that of the last.
Hundreds of immense wheels turned round with a velocity that almost
seemed as if demons were whirling them, letting fall thousands of hissing
dragons, and scorpions, and fiery snakes, whose long convolutions,
darting forward as far as the eye could reach in every direction, at
length vanished into air. Fountains, and jets of fire, threw up their
blazing cascades into the skies.
“The whole vault of heaven shone with the vivid fires, and seemed to
receive into itself innumerable stars and suns, which shooting up into
it, in brightness almost insufferable,—vanished—like earth-born hopes.
The reflection in the depth of the calm clear water of the Tiber, was
scarcely less beautiful than the spectacle itself, and the whole ended
in a tremendous burst of fire, which, while it lasted, almost seemed to
threaten conflagration to the world.
“The expense of the illumination of St. Peter’s, and of the girandola,
when repeated two successive evenings, as they invariably are at the
festival of St. Peter, is one thousand crowns; when only exhibited
one night, they cost seven hundred. Eighty men were employed in the
instantaneous illuminations of the lamps, which to us seemed the work of
enchantment. They were so posted as to be unseen.”
The conclusion of these ceremonies impresses one forcibly, with the
same feelings as the termination of a theatrical performance, when the
green curtain descends, and conceals from view the various actors of the
drama, all as yet retaining their appropriate situations, and ready to
recommence the exhibition, when the appointed period again comes round;
while the spectators hasten away to their respective homes carrying with
them vivid ideas of the pageantry with which they have been amused: thus
was it with Rome, which, like a vast amphitheatre, now began to pour
forth in all directions, the crowds of visitors, whom this scene of
pleasure, or sentiments of devotion, had attracted.
Public-domain text, read in full here on John Shaqi.
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