He could not answer. He put his hand to his head and walked away from
her. For a moment he stood by the window with his hands over his eyes.
At last he said, "It is cruel and useless to subject your mother to a
thing like this--not to mention that I don't deserve it, Alice."
"I know it, Papa, but I hate to have to keep looking at the thing. You
and Mamma are of no earthly use to each other, and it seems so stupid
for you to sacrifice yourself to a lie like this."
Mr. Farley hung his head and smoothed his broad brow with slow trembling
fingers. "Readjustments are expensive, Alice."
"I know they are, but you can't blame me for wanting to see things
right."
They were silent. Mr. Farley was uncomfortable. He did not know what was
expected of him. "You must try to comfort your mother," he said at last.
"She'll probably find some comfort for herself," Alice said bitterly.
"Well, I must go to the office. My first duty to her is there." Trying
not to hurry, Mr. Farley, his face averted, walked out.
His back, as he disappeared through the doorway, looked stiff and weary.
He seemed weak and humiliated like a big dog in pain.
* * * * *
At the noon hour Mrs. Farley came downstairs and shambled about the
house, forcing herself on Alice's sight but refusing to speak. As Mrs.
Farley's fingers fell into their wonted tasks the scene of the morning
became less real to her than the feel of cloth and the posture of
furniture. The habit of contentment crept back upon her. She wanted
nothing of others. What should they want of her?
Dryly she preserved her already half-mummied antagonism.
* * * * *
On the glass windows that stretched, twinkling with light, across the
broad front of the bakery and lunch room, the name was inscribed in a
half moon of raised white letters. Behind the glass were mounds of iced
cakes and piles of glossy yellow rolls resting in wooden trays.
A pink-faced German, with flat cheek bones, a stiff mustache, and narrow
good-natured eyes, stood in his undershirt and trousers draped with a
soiled apron, and laid out a new supply of cakes with alternate
chocolate and white so that they formed a geometric pattern. Behind him
on a rear wall a large clock marked six, the hands, on the stark white
dial, rigid as the limbs of the crucified.
Above him lights glowed through globes of clouded glass. Groups of wagon
drivers and workmen in gray jumpers sat at the tables and, leaning
forward with chests to the marble tops, slopped coffee from their
saucers and shoveled huge accretions of potatoes and meat into their
mouths in the attitudes of hunting animals.
Outside, in the dusk, light spread hazily about the lamps in the street.
Over the roofs stars quivered delicately like fiery flowers of pale
green on a shaken spray.
Public-domain text, read in full here on John Shaqi.
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