The National Geographic Magazine, Vol. II., No. 4, August, 1890 — John Shaqi
The National Geographic Magazine, Vol. II., No. 4, August, 1890Various
History
The National Geographic Magazine, Vol. II., No. 4, August, 1890
Various
Geography -- Periodicals
In the representation of relief on the one inch series, two systems
are common, contours and hachures. Contours represent the successive
shore lines which water at rest would form in following the modelling
of the ground at successive stages or elevations. If now we assume
that the water, having reached the highest point, is allowed to
retreat steadily to sea level the paths which the particles of water
would take from all points of the surface are those which the engraver
would endeavor to reproduce in the shade lines of a hachured map. In
addition he would adopt an arbitrary scale of shade increasing with
the steepness of the slopes, from white on a horizontal surface to
dead black on slopes of forty-five degrees, or greater, to produce the
effect of a model of the surface illuminated from above.
In the Irish maps this effect is bolder and more artistic, an
illumination from the northeast quarter having been carried out. The
shade lines still preserve the paths of particles of water in motion
on the surface, the color values being deeper on the eastern and
southern slopes, shadows have even been projected across valleys and
horizontal surfaces are in half tone, producing much the same effect
as the illumination of the country at sunset in midsummer.
The Irish maps exhibited are considered the finest specimens of
careful hill shading and will bear critical examination. For
comparison with these, other topographic maps are exhibited of many
scales and countries.
So far attention has simply been drawn to a few of the problems of
map-making, which are, briefly:
1st. The reproduction on a finite scale on a plain surface, of the
natural features of the terrain, with all the artificial boundaries
and objects added by man, so far as the scale permits.
2d. The extension of such a series of maps to cover a large area of
country still carried out with as little distortion as possible.
3d. The reproduction of such maps on suitable scales to meet all
demands.
If the conception is still carried out that the map, at a distance of
two feet, is but the image of the ground viewed from above, then the
cadastral map of England, from which areas of fields and estates are
measured for valuation purposes, would represent a view of the country
from above at a range of 5,000 feet or nearly one mile, and a town
plan, an image at 1,000 feet or a possible view from a series of
Eiffel towers.
This suggestion of an observer stationed in a balloon will not have
been valueless if it draws attention to the fact that vastly more
information is given on the map than it would be possible for any
single observer to discover from an elevated station with an
unobstructed view, the map being the compilation of the results of
hundreds of observations by many workers, and that its scale and the
amount and character of the detail shown have been specially designed
to meet definite ends.
Public-domain text, read in full here on John Shaqi.
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