The Natural History of Cage Birds: Their Management, Habits, Food, Diseases, Treatment, Breeding, and the Methods of Catching Them.Bechstein, Johann Matthäus
Science
The Natural History of Cage Birds: Their Management, Habits, Food, Diseases, Treatment, Breeding, and the Methods of Catching Them.
Bechstein, Johann Matthäus
Cage birds
An artificial song is one borrowed from a bird that the young ones have
heard singing in the room, a person's whistling, a flageolet, or a
bird-organ. Nearly all birds, when young, will learn some strains of
airs whistled or played to them regularly every day; but it is only
those whose memory is capable of retaining these that will abandon their
natural song, and adopt fluently, and repeat without hesitation, the air
that has been taught them. Thus, a young goldfinch learns, it is true,
some part of the melody played to a bullfinch, but it will never be able
to render it as perfectly as this bird; a difference not caused by the
greater or less suppleness of the organ, but rather by the superiority
of memory in the one species over that of the other.
We distinguish in birds a chirping and warbling, or song, properly so
called; besides this, several species, with a large, fleshy, undivided
tongue, are able to repeat articulate sounds, and they are then said to
_talk_, such as parrots and jays.
It is remarkable, that birds which do not sing all the year, such as the
red-breast, siskin, and goldfinch, seem obliged, after moulting, to learn
to warble, as though they had forgotten; but I have seen enough to
convince me that these attempts are merely to render the larynx pliant,
and are a kind of chirping, the notes of which have but little relation
to the proper song; for a slight attention will discover that the larynx
becomes gradually capable of giving the common warble.
This method of recovering the song does not then show deficiency of
memory, but rigidity occasioned by the disuse of the larynx. The
chaffinch will exercise itself in this way some weeks before it attains
its former proficiency, and the nightingale practises as long the
strains of his beautiful song, before he gives it full, clear, and in
all its extent[2].
The strength and compass of a bird's voice depend on the size and
proportionate force of the larynx. In the female it is weak and small,
and this accounts for her want of song. None of our woodland songsters
produces more striking, vigorous, and prolonged sounds than the
nightingale; and none is known with so ample and strong a larynx: but as
we are able to improve the organisation of the body by exercise and
habit, so may we strengthen and extend the larynx of several birds of
the same species, so as to amplify the song in consequence, by more
nutritive food, proper care, sounds that excite emulation, and the like;
chaffinches, bullfinches, canaries, and other birds reared in the house,
furnish daily examples of this.
Public-domain text, read in full here on John Shaqi.
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