That I may not, however, appear to inveigh so completely against the Greeks, I should wish to be considered under the same point of view with those inventors of the arts of painting and sculpture, of whom you will find an account in these volumes, whose works, although they are so perfect that we are never satisfied with admiring them, are inscribed with a temporary title[69], such as “Apelles, or Polycletus, was doing this;” implying that the work was only commenced and still imperfect, and that the artist might benefit by the criticisms that were made on it and alter any part that required it, if he had not been prevented by death. It is also a great mark of their modesty, that they inscribed their works as if they were the last which they had executed, and as still in hand at the time of their death. I think there are but three works of art which are inscribed positively with the words “such a one executed this;” of these I shall give an account in the proper place. In these cases it appears, that the artist felt the most perfect satisfaction with his work, and hence these pieces have excited the envy of every one. I, indeed, freely admit, that much may be added to my works; not only to this, but to all which I have published. By this admission I hope to escape from the carping critics[70], and I have the more reason to say this, because I hear that there are certain Stoics and Logicians[71], and also Epicureans (from the Grammarians[72] I expected as much), who are big with something against the little work I published on Grammar[73]; and that they have been carrying these abortions for ten years together—a longer pregnancy this than the elephant’s[74]. But I well know, that even a woman once wrote against Theophrastus, a man so eminent for his eloquence that he obtained his name, which signifies the Divine speaker[75], and that from this circumstance originated the proverb of choosing a tree to hang oneself[76].