The Natural History of Pliny, Volume 6 (of 6)Pliny, the Elder
History
The Natural History of Pliny, Volume 6 (of 6)
Pliny, the Elder
Natural history -- Pre-Linnean works
While speaking of statues, there is one other that should not be
omitted, although its author is unknown, that of Hercules clothed in
a tunic,[1582] the only one represented in that costume in Rome: it
stands near the Rostra, and the countenance is stern and expressive of
his last agonies, caused by that dress. There are three inscriptions
on it; the first of which states that it had formed part of the spoil
obtained by L. Lucullus[1583] the general; the second, that his son,
while still a minor, dedicated in accordance with a decree of the
Senate; the third, that T. Septimius Sabinus, the curule ædile, had it
restored to the public from the hands of a private individual. So vast
has been the rivalry caused by this statue, and so high the value set
upon it.
CHAP. 20.—THE DIFFERENT KINDS OF COPPER AND ITS COMBINATIONS. PYROPUS.
CAMPANIAN COPPER.
We will now return to the different kinds of copper, and its
several combinations. In Cyprian copper we have the kind known as
“coronarium,”[1584] and that called “regulare,”[1585] both of them
ductile. The former is made into thin leaves, and, after being coloured
with ox-gall,[1586] is used for what has all the appearance of gilding
on the coronets worn upon the stage. The same substance, if mixed
with gold, in the proportion of six scruples of gold to the ounce,
and reduced into thin plates, acquires a fiery red colour, and is
termed “pyropus.”[1587] In other mines again, they prepare the kind
known as “regulare,” as also that which is called “caldarium.”[1588]
These differ from each other in this respect, that, in the latter, the
metal is only fused, and breaks when struck with the hammer, whereas
the “regulare” is malleable, or ductile,[1589] as some call it, a
property which belongs naturally to all the copper of Cyprus. In the
case, however, of all the other mines, this difference between bar
copper and cast brass is produced by artificial means. All the ores,
in fact, will produce bar or malleable copper when sufficiently melted
and purified by heat. Among the other kinds of copper, the palm of
excellence is awarded to that of Campania,[1590] which is the most
esteemed for vessels and utensils. This last is prepared several ways.
At Capua it is melted upon fires made with wood, and not coals, after
which it is sprinkled with cold water and cleansed through a sieve made
of oak. After being thus smelted a number of times, Spanish silver-lead
is added to it, in the proportion of ten pounds of lead to one hundred
pounds of copper; a method by which it is rendered pliable, and made
to assume that agreeable colour which is imparted to other kinds of
copper by the application of oil and the action of the sun. Many parts,
however, of Italy, and the provinces, produce a similar kind of metal;
but there they add only eight pounds of lead, and, in consequence of
the scarcity of wood, melt it several times over upon coals. It is in
Public-domain text, read in full here on John Shaqi.
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