The Natural History of Pliny, Volume 6 (of 6)Pliny, the Elder
History
The Natural History of Pliny, Volume 6 (of 6)
Pliny, the Elder
Natural history -- Pre-Linnean works
Gaul more particularly, where the ore is melted between red-hot stones,
that the difference is to be seen that is produced by these variations
in the method of smelting. Indeed, this last method scorches the metal,
and renders it black and friable. Besides, they only melt it twice;
whereas, the oftener this operation is repeated, the better in quality
it becomes.
(9.) It is also as well to remark that all copper fuses best when the
weather is intensely cold. The proper combination for making statues
and tablets is as follows: the ore is first melted; after which there
is added to the molten metal one third part of second-hand[1591]
copper, or in other words, copper that has been in use and bought up
for the purpose. For it is a peculiarity of this metal that when it has
been some time in use, and has been subject to long-continued friction,
it becomes seasoned, and subdued, as it were, to a high polish. Twelve
pounds and a half of silver-lead are then added to every hundred pounds
of the fused metal. There is also a combination of copper, of a most
delicate nature, “mould-copper,”[1592] as it is called; there being
added to the metal one tenth part of lead[1593] and one twentieth
of silver-lead, this combination being the best adapted for taking
the colour known as “Græcænicus.”[1594] The last kind is that known
as “ollaria,”[1595] from the vessels that are made of it: in this
combination three or four pounds of silver-lead[1596] are added to
every hundred pounds of copper. By the addition of lead to Cyprian
copper, the purple tint is produced that we see upon the drapery of
statues.
CHAP. 21.—THE METHOD OF PRESERVING COPPER.
Copper becomes covered with verdigris more quickly when cleaned than
when neglected, unless it is well rubbed with oil. It is said that
the best method of preserving it is with a coating of tar. The custom
of making use of copper for monuments, which are intended to be
perpetuated, is of very ancient date: it is upon tablets of brass that
our public enactments are engraved.
CHAP. 22. (10.)—CADMIA.
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