The Natural History of Pliny, Volume 6 (of 6)Pliny, the Elder
History
The Natural History of Pliny, Volume 6 (of 6)
Pliny, the Elder
Natural history -- Pre-Linnean works
Such are the marvellous Pyramids; but the crowning marvel of all
is, that the smallest, but most admired of them—that we may feel no
surprise at the opulence of the kings—was built by Rhodopis,[2583]
a courtesan! This woman was once the fellow-slave of Æsopus the
philosopher and fabulist, and the sharer of his bed; but what is much
more surprising is, that a courtesan should have been enabled, by her
vocation, to amass such enormous wealth.
CHAP. 18.—THE PHAROS.
There is another building, too, that is highly celebrated; the tower
that was built by a king of Egypt, on the island of Pharos, at the
entrance to the[2584] harbour of Alexandria. The cost of its erection
was eight hundred talents, they say; and, not to omit the magnanimity
that was shown by King Ptolemæus[2585] on this occasion, he gave
permission to the architect, Sostratus[2586] of Cnidos, to inscribe his
name upon the edifice itself. The object of it is, by the light of its
fires at night, to give warning to ships, of the neighbouring shoals,
and to point out to them the entrance of the harbour. At the present
day, there are similar fires lighted up in numerous places, Ostia and
Ravenna, for example. The only danger[2587] is, that when these fires
are thus kept burning without intermission, they may be mistaken for
stars, the flames having very much that appearance at a distance. This
architect is the first person that built a promenade upon arches; at
Cnidos, it is said.
CHAP. 19. (13.)—LABYRINTHS.
We must speak also of the Labyrinths, the most stupendous works,
perhaps, on which mankind has expended its labours; and not for
chimerical purposes, merely, as might possibly be supposed.
There is still in Egypt, in the Nome of Heracleopolites,[2588] a
labyrinth,[2589] which was the first constructed, three thousand six
hundred years ago, they say, by King Petesuchis or Tithöes: although,
according to Herodotus, the entire work was the production of no less
than twelve kings, the last of whom was Psammetichus. As to the
purpose for which it was built, there are various opinions: Demoteles
says that it was the palace of King Moteris, and Lyceas that it was
the tomb of Mœris, while many others assert that it was a building
consecrated to the Sun, an opinion which mostly prevails.
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