The Natural History of Pliny, Volume 6 (of 6)Pliny, the Elder
History
The Natural History of Pliny, Volume 6 (of 6)
Pliny, the Elder
Natural history -- Pre-Linnean works
That Dædalus took this for the model of the Labyrinth which he
constructed in Crete, there can be no doubt; though he only reproduced
the hundredth part of it, that portion, namely, which encloses
circuitous passages, windings, and inextricable galleries which lead
to and fro. We must not, comparing this last to what we see delineated
on our mosaic pavements, or to the mazes[2590] formed in the fields
for the amusement of children, suppose it to be a narrow promenade
along which we may walk for many miles together; but we must picture
to ourselves a building filled with numerous doors, and galleries
which continually mislead the visitor, bringing him back, after all
his wanderings, to the spot from which he first set out. This[2591]
Labyrinth is the second, that of Egypt being the first. There is a
third in the Isle of Lemnos, and a fourth in Italy.
They are all of them covered with arched roofs of polished stone; at
the entrance, too, of the Egyptian Labyrinth, a thing that surprises
me, the building is constructed of Parian marble, while throughout
the other parts of it the columns are of syenites.[2592] With such
solidity is this huge mass constructed, that the lapse of ages has been
totally unable to destroy it, seconded as it has been by the people of
Heracleopolites, who have marvellously ravaged a work which they have
always held in abhorrence. To detail the position of this work and
the various portions of it is quite impossible, it being subdivided
into regions and præfectures, which are styled nomes,[2593] thirty in
number, with a vast palace assigned to each. In addition to these, it
should contain temples of all the gods of Egypt, and forty statues of
Nemesis[2594] in as many sacred shrines; besides numerous pyramids,
forty ells[2595] in height, and covering six aruræ[2596] at the base.
Fatigued with wandering to and fro, the visitor is sure to arrive at
some inextricable crossing or other of the galleries. And then, too,
there are banquetting rooms situate at the summit of steep ascents;
porticos from which we descend by flights of ninety steps; columns in
the interior, made of porphyrites;[2597] figures of gods; statues of
kings; and effigies of hideous monsters. Some of the palaces are so
peculiarly constructed, that the moment the doors are opened a dreadful
sound like that of thunder reverberates within: the greater part,
too, of these edifices have to be traversed in total darkness. Then
again, without the walls of the Labyrinth, there rises another mass of
buildings known as the “Pteron;”[2598] beneath which there are passages
excavated leading to other subterranean palaces. One person, and only
one, has made some slight repairs to the Labyrinth; Chæremon,[2599] an
eunuch of King Necthebis, who lived five hundred years before the time
of Alexander the Great. It is asserted, also, that while the arched
roofs of squared stone were being raised, he had them supported by
beams of thorn[2600] boiled in oil.
Public-domain text, read in full here on John Shaqi.
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