Indeed, one cannot but help reflecting how trifling a portion of these palaces was equal to the sites which the republic granted to its invincible generals, for the erection of their dwellings. The supreme honour, too, attendant upon these grants—as in the case of P. Valerius Publicola, the first consul with L. Brutus, for his many meritorious services; and of his brother, who twice in one consulship defeated the Sabines—was the permission granted, by the terms of the decree, to have the doors of their houses opening from without, and the gates thrown back upon the public street. Such was the most distinguished privilege accorded in those days to triumphal mansions even! I will not permit, however, these two Caiuses,[2635] or two Neros, to enjoy this glory even, such as it is; for I will prove that these extravagant follies of theirs have been surpassed, in the use that was made of his wealth by M. Scaurus, a private citizen. Indeed, I am by no means certain that it was not the ædileship of this personage that inflicted the first great blow upon the public manners, and that Sylla was not guilty of a greater crime in giving such unlimited power to his step-son,[2636] than in the proscription of so many thousands. During his ædileship, and only for the temporary purposes of a few days, Scaurus executed the greatest[2637] work that has ever been made by the hands of man, even when intended to be of everlasting duration; his Theatre, I mean. This building consisted of three storeys, supported upon three hundred and sixty columns; and this, too, in a city which had not allowed without some censure one of its greatest citizens[2638] to erect six[2639] pillars of Hymettian marble. The ground-storey was of marble, the second of glass, a species of luxury which ever since that time has been quite unheard of, and the highest of gilded wood. The lowermost columns, as previously[2640] stated, were eight-and-thirty feet in height; and, placed between these columns, as already[2641] mentioned, were brazen statues, three thousand in number. The area[2642] of this theatre afforded accommodation for eighty thousand spectators; and yet the Theatre of Pompeius, after the City had so greatly increased, and the inhabitants had become so vastly more numerous, was considered abundantly large, with its sittings for forty thousand only. The rest of the fittings of it, what with Attalic[2643] vestments, pictures, and the other stage-properties,[2644] were of such enormous value that, after Scaurus had had conveyed to his Tusculan villa such parts thereof as were not required for the enjoyment of his daily luxuries, the loss was no less than three hundred millions of sesterces, when the villa was burnt by his servants in a spirit of revenge.