"But suppose we got him soused, went through his pockets, and then put
him aboard the boat. He'd be at sea by the time he woke up; he couldn't
get back; he'd have to work; don't you see? He'd be broke when he
landed and have to rustle money to get back with. I think it's an awful
funny idea."
The undeniable humor of such a situation finally dawned upon Higgins's
mind, and he burst into a loud guffaw.
"Hey there! Shut up!" Anthony called from the piano. "Listen here! I've
found the lost chord." He bore down with his huge hands upon the yellow
keyboard, bringing forth a metallic crash that blended fearfully with
the bartender's voice. "It's a great discovery."
"I'll get him full if you'll help manage him," Locke went on. "And
here's the ticket." He tapped his pocket.
"Where'd you get it?"
"Bought it yesterday. It's first class and better, and he'll fit my
description. We're about the same size."
"Ain't you goin'?"
"No. I've changed my mind. I may jump over to Paris. Come, are you on?"
Higgins giggled. "Darn' funny idea, if you can get him full."
"Wait." Locke rose and went to the bar, where he called loudly for the
singer; then, when the bartender had deserted the piano, he spoke to
Anthony: "Keep it up, old man, you're doing fine."
For some moments he talked earnestly to the man behind the bar; but his
back was to Higgins, Anthony was occupied, and Ringold still slumbered;
hence no one observed the transfer of another of those yellow bills of
which he seemed to have an unlimited store.
Strangely enough, Mr. Jefferson Locke's plan worked without a hitch.
Within ten minutes after Kirk Anthony had taken the drink handed him he
declared himself sleepy, and rose from the piano, only to seek a chair,
into which he flung himself heavily.
"It's all right," Locke told his drunken companion. "I've got a taxi
waiting. We'll leave Ringold where he is."
Twenty-four hours later Adelbert Higgins undertook to recall what had
happened to him after he left Muller's place on East Fourteenth Street,
but his memory was tricky. He recollected a vaguely humorous discussion
of some sort with a stranger, the details of which were almost entirely
missing. He remembered that dawn had broken when he came out of the
saloon, but beyond that he could not go with any degree of certainty.
There was a hazy memory of an interminable ride in a closed vehicle of
some sort, a dizzy panorama of moving buildings, bleak, wind-swept
trees, frosty meadows, and land-locked lakes backed by what were either
distant mountain ranges or apartment houses. This last, however, was
all very blurred and indistinct.
Public-domain text, read in full here on John Shaqi.
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