82 Albany Institute of History and Art, _Albany_. The Negro artist comes of age; a national survey of contemporary American artists. Albany Institute of History and Art, January 3rd through February 11th, 1945. [Albany, 1945] [77] p. illus., ports. MH Foreword signed: John Davis Hatch, Jr. "Up till now" (p. iii-vii) signed: Alain Locke. Contains biographies. 83 Bowdoin College. _Museum of Fine Arts._ The portrayal of the Negro in American painting; [exhibition] the Bowdoin College Museum of Art. [Catalogue. Brunswick? Me.] 1964. 1 v. (unpaged) illus., ports. N8232.B6 84 Dover, Cedric. American Negro art. [Greenwich, Conn.] New York Graphic Society [1960] 186 p. illus., col. plates, ports. N6538.N5D6 1960 "Bibliography by Maureen Dover": p. 57-60. 85 Harmon Foundation. Negro artists, an illustrated review of their achievements. New York [1935] 59 p. illus., ports. N6538.N5H34 Includes exhibition of paintings by Malvin Gray Johnson and sculptures by Richmond Barthé and Sargent Johnson, presented by the Harmon Foundation in cooperation with the Delphic Studios, April 22-May 4, 1935, inclusive. 86 Locke, Alain L. Negro art: past and present. Washington, Associates in Negro Folk Education, 1936. 122 p. (Bronze booklet no. 3) [E185.5.B85 no. 3] [TR: Call number of original: E185.82.L74] "Reading references" at end of each chapter. 87 Locke, Alain L. The Negro in art; a pictorial record of the Negro artist and of the Negro theme in art; edited and annotated by Alain Locke. Washington, Associates in Negro Folk Education, 1940. 224 p. illus., plates. N6538.N5L6 "Selected bibliography": p. 224. 88 Murray, Freeman H. M. Emancipation and the freed in American sculpture; a study in interpretation. Introduction by John Wesley Cromwell. Washington, The author, 1916. xxviii, 239 p. plates. (Black folk in art series) E185.89.I2M9 "This monograph is chiefly the expansion of papers which were read as lectures ... at the Summer School and Chautauqua of the National Religious Training School at Durham, N.C., in 1913. Some of the matter has also appeared in the _A.M.E. Church Review._"—Preface. 89 The Negro in American art. An exhibition co-sponsored by the California Arts Commission, UCLA Art Galleries, September 11 to October 16, 1966; University of California, Davis, November 1 to December 15, 1966; Fine Arts Gallery of San Diego, January 6 to February 12, 1967; Oakland Art Museum, February 24 to March 19, 1967. [Los Angeles?] UCLA Art Galleries, Dickson Art Center [1967?] 63 p. DLC [TR: N6538.N5N35]