_He is intensely religious._ True religion is based upon a belief in the supernatural, upon faith and feeling. A people deeply superstitious are apt to be deeply religious, for both rest upon a belief in a spiritual world. Superstition differs from religion in being the untrained and unenlightened gropings of the human soul after the mysteries of the higher life; while the latter, more or less enlightened, "feels after God, if haply," it may find Him. The Negro gives abundant evidence of both phases. The absolute inability of the master, in the days of slavery, while successfully vetoing all other kinds of convocation, to stop the Negro's church meetings, as well as the almost phenomenal influence and growth of his churches since; and his constant referring of every event, adverse or favorable, to the personal ministrations of the Creator, are things unique and persistent. And the master class reposed more faith in their slaves' religion ofttimes than they did in their own. Doubtless much of the reverential feeling that pervades the American home to-day, above that of all other nations, is the result of the Negro mammy's devotion and loyalty to God. _He is imaginative._ This is not evinced so much in creative directions as in poetical, musical, combinatory, inventional and what, if coupled with learning, we call literary imagination. Negro eloquence is proverbial. The crudest sermon of the most unlettered slave abounded in tropes and glowing tongue pictures of apochalyptic visions all his own; and, indeed, the poetic quality of his mind is seen in all his natural efforts when the self-consciousness of education does not stand guard. The staid religious muse of Phillis Wheatley and the rollicking, somewhat jibing, verse of Dunbar show it equally, unpremeditated and spontaneous. I have heard by the hour some ordinary old uneducated Negro tell those inimitable animal stories, brought to literary existence in "Uncle Remus," with such quaint humor, delicious conceit and masterly delineation of plot, character and incident that nothing but the conventional rating of Aesop's Fables could put them in the same class. Then, there are more Negro inventors than the world supposes. This faculty is impossible without a well-ordered imagination held in leash by a good memory and large perception. _He is affectionate and without vindictiveness._ He does not nurse even great wrongs. Mercurial as he is, often furiously angry and frequently in murderous mood, he comes nearer not letting the sun go down upon his anger than any other man I know. Like Brutus, he may be compared to the flint which, "Much enforced, shows a hasty spark, And straight is cold again."