The Æneid of Virgil translated into English proseVirgil
General
The Æneid of Virgil translated into English prose
Virgil
Aeneas (Legendary character); Epic poetry, Latin -- Translations into English; Legends -- Rome
And now the expected day was come; the steeds of
Phaethon[186] were ushering in the goddess of the ninth
dawn through a heaven of clear light; the rumoured spectacle 15
and the great name of Acestes had brought the
neighbouring people from their homes; the holiday crowd
was flooding the shore, to gaze on the family of Æneas,
and some, too, ready to dispute the prizes. First, in sight
of all, the gifts are bestowed in the midst of the ring—hallowed 20
tripods and verdant chaplets, and palms, the
conquerors’ special guerdon—armour and raiment of
purple dye—a talent’s[187] weight of silver and gold; and
from a mound in the centre the shrill trumpet proclaims
the sports begun. The first contest, waged with labouring 25
oars, is entered by four ships, the flower of the entire
fleet. There is Mnestheus, with his fiery crew, speeding
along the swift Shark—Mnestheus, hereafter a prince of
Italy, who gives his name to the Memmian line; there is
Gyas with his monster Chimæra, that monster mass[D] 30
which three tiers of stout Dardans are pulling on, the oars
rising in a triple bank; Sergestus, from whom the Sergian
house gains the name it keeps, sails in the mighty Centaur;
and in the sea-green Scylla Cloanthus, your great forefather,
Cluentius of Rome. 35
At a distance in the sea is a rock, over against the spray-washed
shore—sometimes covered by the swelling waves
that beat on it, when the wintry north winds hide the stars
from view—in a calm it rests in peace, and rises over the
unruffled waters, a broad table-land, a welcome basking-ground 5
for the sea-bird. Here Æneas set up a green stem
of leafy oak with his own royal hand—a sign for the sailors,
that they might know whence to begin their return, and
where to double round their long voyage. Then they choose
their places by lot: there are the captains on the sterns, 10
a glorious sight, gleaming far with gold and purple; the
crews are crowned with thick poplar leaves, and their bare
shoulders shine with the oil that has rubbed them. They
seat them on the benches, every arm is strained on the
oar—straining they expect the signal, and their beating 15
hearts are drained at each stroke by panting fear and high-strung
ambition. Then, when the shrill trumpet has uttered
its voice, all in a moment dart forward from their
bounds, the seaman’s shout pierces the sky; the upturned
seas foam as the arm is drawn back to the chest. With 20
measured strokes they plough their furrows; the water
is one yawning chasm, rent asunder by the oar and the
pointed beak. Not such the headlong speed when in two-horse
race the chariots dash into the plain and pour along
from their floodgates, or when the drivers shake the streaming 25
Public-domain text, read in full here on John Shaqi.
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