The Æneid of Virgil translated into English proseVirgil
General
The Æneid of Virgil translated into English prose
Virgil
Aeneas (Legendary character); Epic poetry, Latin -- Translations into English; Legends -- Rome
But father Æneas, ere the match was over, calls to his
side the guardian and companion of Iulus’ tender years,
Epytides, and thus speaks into his ear in secret:—“Go
now and tell Ascanius, if his company of boys is ready,
and the movements of his young cavalry duly marshalled, 5
to bring them into the field in his grandsire’s honour, and
show himself in arms.” He, by his own voice, bids the
whole surging crowd retire from the length of the circus,
and leave the field clear. The boys come prancing in on
well-reined steeds, in even lines of light brightening their 10
parents’ eyes; and as they pass, an admiring shout, breaks
from the gathered chivalry of Sicily and Troy. All alike
have their flowing hair duly cinctured with stripped leaves;
each bears two cornel javelins tipped with steel; some have
polished quivers at their backs; round the top of the chest 15
goes a pliant chain of twisted gold circling the neck.
Three are the companies of horse, three the leaders that
scour the plain; twelve boys follow each, a glittering show,
in equal divisions and commanded alike. The first of the
youthful bands is led as to victory by a young Priam, 20
who revives his grandsire’s name, thy princely offspring,
Polites, destined to people Italy; him a Thracian steed
carries, dappled with spots of white, with white on the
extremes of his prancing feet, and white on his towering
brow. Next is Atys, whence comes the house of Roman 25
Atii—Atys the young, the boyish friend of the boy Iulus.
Last of all, and excelling all in beauty, Iulus rides in on a
Sidonian steed, bestowed on him by Dido the fair, in remembrance
of herself, and in testimony of her love.
The remaining youth are borne on Trinacrian horses from 30
old Acestes’ stalls. The Dardans welcome them with
reassuring plaudits, and gaze on them with rapture, and
trace in their young faces the features of their old sires.
Soon as the riders have made their joyous survey of the
whole gazing crowd and of their friends’ loving eyes, 35
Epytides gives the expected signal with far-reaching shout
and loud cracking whip. In regular order they gallop asunder,
the three companies breaking and parting right and left;
and again, at the word of command, they wheel round, and
charge each other with levelled lances. Then they essay
other advances and other retreats in quarters still opposite,
each entangling each in circles within circles, and in their
real armour raise an image of battle. Now they expose 5
their backs in flight, now they turn their spear-points in
charge, now as in truce they ride along side by side. Even
as men tell of that old labyrinth[193] in lofty Crete, its way
cunningly woven with blind high walls, and the ambiguous
mystery of its thousand paths, winding till the pursuer’s 10
Public-domain text, read in full here on John Shaqi.
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