The Æneid of Virgil translated into English proseVirgil
General
The Æneid of Virgil translated into English prose
Virgil
Aeneas (Legendary character); Epic poetry, Latin -- Translations into English; Legends -- Rome
sentinel on the summit of the Tarpeian fortress in the 15
temple’s front, holding the height of the Capitol, while
the Romulean thatch looked fresh and sharp on the palace-roof.
And there was the silver goose fluttering its wings
in the gilded cloister, and shrieking that the Gauls were
at the door. The Gauls were at hand marching among 20
the brushwood, and had gained the summit sheltered
by the darkness and the kindly grace of dusky night.
Golden is their hair and golden their raiment; striped
cloaks gleam on their shoulders; their milk-white necks
are twined with gold; each brandishes two Alpine javelins, 25
his body guarded by the long oval of his shield. There
he had shown in relief the Salii in their dances and the
naked Luperci, and the woolly peaks of their caps, and
the sacred shields which fell from heaven: chaste matrons
were making solemn progress through the city in their 30
soft-cushioned cars. At distance from these he introduces
too the mansions of Tartarus, Pluto’s yawning portals,
and the torments of crime, and thee, Catiline, poised on
the beetling rock and quailing at grim Fury-faces: and
the good in their privacy, with Cato as their lawgiver. 35
Stretching in its breadth among these swept the semblance
of the swelling sea, all of gold, but the blue was made to
foam with whitening billows; and all about it dolphins
of bright silver in joyous circles were lashing the surface
with their tails and cutting the tide. In the midst might
be seen fleets of brazen ships, the naval war of Actium;
you might remark the whole of Leucate aglow with the
war-god’s array, and the waves one blaze of gold. On this 5
side is Augustus Cæsar leading the Italians to conflict,
with the senate and the people, the home-gods and their
mighty brethren, standing aloft on the stern: his auspicious
brows emit twin-born flames, and his ancestral
star dawns over his head. Elsewhere is Agrippa with the 10
winds and the gods at his back, towering high as he leads
his column; his brows gleam with the beaked circle of a
naval crown, the glorious ornament of war. On that side
is Antonius with his barbaric powers and the arms of divers
lands, triumphant from the nations of the dawn-goddess 15
and the red ocean’s coast, carrying with him Egypt
and the strength of the East and the utmost parts of Bactria,
and at his side—shame on the profanation!—his
Egyptian spouse.[260] All are seen at once in fierce onward
motion: the whole sea-floor foams up, torn by the backward 20
pull of the oars and by the three-fanged beaks.
On to the deep! you would deem that uprooted Cyclades
were swimming the sea, or that tall hills were meeting hills
in battle; such the giant effort, with which the warriors
urge on their tower-crowned ships.
Public-domain text, read in full here on John Shaqi.
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